I was actually born in Miami. We would spend the summers there growing up, so it's like my second home.
It's nice to have a pause to parent and to be more present at home, teaching them how to drive cars and navigate boys and all this sort of thing.
When I go home, I play with my baby dolls and strollers and stuffed animals, pretend like they're real dogs.
I come from an army background, and everyone at my home has a habit of getting up early. I continue this habit even today.
It's nice to have some continuity you can come back to. I feel that in coming home, coming back to London.
We don't leave home without my daughter's doll La-La. She looks like a bit of a rag, but India is obsessed with her.
My look is always glitzy for New Year's Eve, even if I am at home.
If you're missing three or four limbs, you have special challenges going forward. And the last thing you want is to not be independent in your home.
I ask myself: Would I have been any worse off if I had stayed home or lived on a farm instead of shock treatments and medication?
At home I have a Tibetan terrier. I'm still not sure if he's a genius or very thick. It's a fine line.
Plus, teaching brings home to you very fast that you actually know nothing. I didn't realize that before.
It was an outdoor Shakespeare theater that I grew up at. That feels like home, and the place I'm always trying to figure out how to get to.
I feel like I'm working on an oil rig right now. I'm away from home a lot.
I'm purely most happy on a film or television set. That's where I feel I am home.
I'm not squeamish at all. As a child I dragged a dead squirrel home on my skateboard and cut it open and tried to look at its brain.
I'm too nervous to eat before I go onstage, and I'll usually eat out after the performance or when I get home at midnight.
When I'm in the movie, I'm entirely in the movie. When I'm on the set, I'm 200 per cent there; when I'm at home, I'm 200 per cent at home.
One of the main uses of a home is to stay in it, when one is too weak and spiritless for conforming, without effort, to the ways of other houses.
I feel very at home in an empty church. I feel the most protected. It's very mystical.
When I'm at home, I want to be a normal person. I don't want to hear, 'Can I have your autograph?'
I did my New York debut at 21. It was 'On the Town' at the George Gershwin Theatre. New York is my artistic home.
