I just get silly inside my head and I start to think about something and in my head I start twisting it around, contorting it and envisioning it in different ways.
My message of common-sense solutions is resonating with people. People around the country are starting to know who I am and starting to identify me with solutions, not rhetoric.
You say I started out with practically nothing, but that isn't correct. We all start with all there is, it's how we use it that makes things possible.
I think that once you start writing songs, you start developing a library of ideas that you can go and take from, so it gets easier as you go.
I started boxing when I was eight. Me and my brother Rafael started boxing in amateur tournaments when I was 13. My father was an ex-pro boxer.
When I started finishing games and coming off the field shaking hands, it was a beautiful thing. I mean, you start seeing that you're an important part of the team.
My favorite is still the one that I started off with, which is a Les Paul Standard. I've played that at every gig I've ever had. And that's my starting point in the studio.
It was only when I started to dig my heels in that I started to realize that's what I needed to do - that nobody was going to open the door for me, that I had to make some space.
It's when we start working together that the real healing takes place... it's when we start spilling our sweat, and not our blood.
I was grateful for the opportunity to make a difference. The political violence really started in 1970-1971. The political difficulties start a little bit beyond that.
Every time I started going in the direction of thinking how it might turn out, I started to just turn my brain around and not go there, because I think the surest way to guarantee that you won't win is to assume that you will.
I did the one concert, and I was not bitten by the conducting bug, and I thought I was done, but then the phone started to ring, and gradually, over time, I started conducting more and more. Now a third of my performances are with orchestras.
I started acting when I was seven. And I went to a local drama school which is very well-known in London. Because of that, I started getting jobs, and I worked all the time as a child, pretty much non-stop.
I started directing videos at the same time that Michel Gondry was starting to direct videos, and I watched what he'd do. They all seemed to be pushing some new visual effects idea, but never just for spectacle. They all captured a feeling.
I feel that for the first time in a long time, educated Pakistanis are returning to their country to start up educational projects, to start up businesses, so instead of the brain-drain that happened in the 1950s and 1960s, the country is growing and...
Christine Collins: I used to tell Walter, "Never start a fight... but always finish it." I didn't start this fight... but by God, I'm going to finish it.
Jeff: I don't understand. In musicals, why do they start to sing and dance all of a sudden? I mean, I don't suddenly start... to sing and dance.
Larry Wade: [Referring to the drinks] We've gotten a head start here, Mr. Thornhill. Roger Thornhill: That won't last long.
I suspect that we might actually start selling some records with these artists in about 10 years. Some the people who invested, they're a little tight-because it's a lot of money to start up a company.
For a lot of filmmakers, their first goal is to be successful and make some money. But once people start doing that, the real goal is then to win an Academy Award. Because when they do, they know that their obit is going to start out, 'Academy Award ...
I never use nature as a starting point. I never abstract from nature; I never consciously think of nature when I paint.
