You start to accumulate your library of music. You want that music everywhere - that's the point where we monetize. If you want portability, mobility, and access, then you buy it.
I started playing the piano when I was about two and got a scholarship to the Peabody Conservatory of Music in Baltimore when I was five. But I left when I was 11.
I think the thing I've always tried to do is - and I didn't plan it, it just started to come out that way - is try to make challenging music that flirts with accessibility.
My thing is, once you start to put a backbeat on your music or something that has a machine in it, you have popularity, but you lose the flexibility. And you lose a richness.
It was clear to me from the start that I would need to combine both a medical degree with a research qualification, to keep at the cutting edge of medical science and technology.
I'm terrified of writing at night, for then I can't sleep. So I start slowly, slowly writing in the morning and go on into the late afternoon.
I always do an all-night horror marathon on Saturdays where we start at seven and go until five in the morning.
You always say 'I'll quit when I start to slide', and then one morning you wake up and realize you've done slid.
It's important for young women and men coming out of the fashion schools to think seriously before starting their own collections.
My pops and my mom started playing Marvin Gaye and the Isley Brothers and all these people, but at the same time, they always had Snoop on right behind it in the same mix.
My mom passed away a day before high school started, and her dream was for me to be a full rock and roll guy, and play drums in a band.
Never get married in college; it's hard to get a start if a prospective employer finds you've already made one mistake.
The hardest thing for me about making movies, and that included 'M*A*S*H' because it was made like a movie, was starting and stopping.
You know, I started doing movies. I mean, my mind was brought into saying, 'You know what? I want to build a generation of wealth.'
I've been in enough movies to know that when you're on the set and you start shooting, you're looking at playback and you get a sense of what it's going to be like.
I got started as an actress doing musical theater, and I always loved 'Grease' and 'West Side Story,' and all those kind of movies.
I believe that if you can discover something of the truth of a person, then you will start to understand, and to understand is to move towards, if not like, then at least an empathy of some kind.
Luck consists largely of hanging on by your fingernails until things start to go your way.
I can't remember why or how I started writing, but I think it was always a way of making sense of the world.
I hear filmmakers saying, 'I wanted to make to make a film about this issue, or this theme,' but I never start like that.
When I was growing up in the 1960s, there was starting to be more books geared towards young adults.
