Some of the best stories start out with a person who absolutely does not want anything to do with an adventure.
Real life starts when you are doing something you love out of passion.
When I was younger and first started watching MTV I loved watching TRL. I loved watching my favorite singers/bands perform.
When I started you were more in touch with the people you were playing to. There wasn't the distance or the separation that there is now.
At first, I wanted to start my own label, but it was such a full-time job that it became too much.
My first workshop was in Rome, and that was the start of House of Waris. In a little magical atelier, a goldsmith, his apprentice, his stone setter - and that was where it began.
I started out as an opportunistic renegade. By now, I've lasted long enough to become sort of an American Original Respectable Renegade.
I'm very surprised at that, yes, because there were many chances for it to be in Germany once the syndication market started and it continually just did not happen.
Alexander Hamilton started the U.S. Treasury with nothing, and that was the closest our country has ever been to being even.
I like Edward G. Robinson - he started as a character actor and became a lead, which is probably why I like him.
Mumbai's infectious. Once you start living in Mumbai, working in Mumbai, I don't think you can live anywhere else.
To be honest, I think about the clubs when I write. But I should probably start thinking about stadiums, because the songs sound even better there - and bigger.
I went to start the first Ethiopian-led project in paleoanthropology, ever. Doing that was not easy.
I always liked the story of Noah's Ark and the idea of starting anew by rescuing the things you like and leaving the rest behind.
When I first started, I just wanted to work. I wouldn't necessarily do anything, but I'd pretty much almost do anything at the very beginning.
I believe that a large part of the training in the regional theaters is in imitation of the British style of acting. The British orientation is textual; they start from the language and work toward the character.
I'm just starting to realize the type of work that I want to do. Not everyone can fit into the sitcom world because it's so fast-paced, but it feels comfortable to me.
The grim reality is that most start-ups fail. Most new products are not successful. Yet the story of perseverance, creative genius, and hard work persists.
I always believe that one can't interfere in another's work. Once I start work on any film, I surrender myself completely and blindly follow the director.
After releasing Mono 1.0, we started work on a new edition of Mono that will be released later in the year.
I've heard my work called 'bold' and 'graffiti-like,' but for me it is always instinctual. I start with a shape or a colour and go from there.
