My favorite is still the one that I started off with, which is a Les Paul Standard. I've played that at every gig I've ever had. And that's my starting point in the studio.
It was only when I started to dig my heels in that I started to realize that's what I needed to do - that nobody was going to open the door for me, that I had to make some space.
It's when we start working together that the real healing takes place... it's when we start spilling our sweat, and not our blood.
I was grateful for the opportunity to make a difference. The political violence really started in 1970-1971. The political difficulties start a little bit beyond that.
Every time I started going in the direction of thinking how it might turn out, I started to just turn my brain around and not go there, because I think the surest way to guarantee that you won't win is to assume that you will.
I did the one concert, and I was not bitten by the conducting bug, and I thought I was done, but then the phone started to ring, and gradually, over time, I started conducting more and more. Now a third of my performances are with orchestras.
I started acting when I was seven. And I went to a local drama school which is very well-known in London. Because of that, I started getting jobs, and I worked all the time as a child, pretty much non-stop.
I started directing videos at the same time that Michel Gondry was starting to direct videos, and I watched what he'd do. They all seemed to be pushing some new visual effects idea, but never just for spectacle. They all captured a feeling.
I feel that for the first time in a long time, educated Pakistanis are returning to their country to start up educational projects, to start up businesses, so instead of the brain-drain that happened in the 1950s and 1960s, the country is growing and...
Christine Collins: I used to tell Walter, "Never start a fight... but always finish it." I didn't start this fight... but by God, I'm going to finish it.
Jeff: I don't understand. In musicals, why do they start to sing and dance all of a sudden? I mean, I don't suddenly start... to sing and dance.
Larry Wade: [Referring to the drinks] We've gotten a head start here, Mr. Thornhill. Roger Thornhill: That won't last long.
I suspect that we might actually start selling some records with these artists in about 10 years. Some the people who invested, they're a little tight-because it's a lot of money to start up a company.
For a lot of filmmakers, their first goal is to be successful and make some money. But once people start doing that, the real goal is then to win an Academy Award. Because when they do, they know that their obit is going to start out, 'Academy Award ...
I never use nature as a starting point. I never abstract from nature; I never consciously think of nature when I paint.
With the success of the last three or so years, when a lot of people start treating you differently, there's a danger that you may start to think of yourself differently. You rely on your friends to say, 'Hey, wake up!'
We need to start talking about inequality again; we need to start talking about the inequities and unfairnesses and the injustices of an excessively divided society, divided by wealth, by opportunity, by outcome, by assets and so forth.
Solace is my favorite song. It was the last song we wrote for the record. It was right when we really started to mesh as far as music goes and we started really connecting with each other.
I started in high school to be interested in music and from there, I decided to study in college. Yeah, you're right, I did start late, but luckily, because of my schooling, I picked up a lot of ground pretty quick.
When The Byrds started country-rock, we had no idea there would be such a thing. We were just trying to honor the music. We started listening to country radio. We went to Nudie's and got cowboy clothes.
I was never really a DJ... I just kinda figured it all out at once as I started to tour. I was making music and producing and I just had to start to DJ as I got more into touring.
