I mean, when I started out I was billing per hour, like a shrink because you would sit with somebody and work. But most of it, if it's for a live show it's usually a buy-out. A flat fee.
I had to ride a horse once. In 'King Arthur.' I said I could ride, but I had to call for lessons on the day the deal was signed. I started out on this little chunky thing and slowly moved up. It was months of work.
I work with a place in Santa Monica called Phase IV. My doctor recommended them to me when I started losing weight. They help people train for things like triathlons or biking and running races. They offer physical therapists, testing, lectures.
Dig just a little bit deeper. Work just a little bit harder. And don't get weary! Remember this is personal! Let's finish what we started, and re-elect President Barack Obama!
So I started to relax and would work on my act eight hours a day, sitting at a desk writing at my grandmother's house, and I would put on Richard Pryor Live on Long Beach and would play it like a loop and think and write.
Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.
I hadn't ever felt any particular calling to be a novelist, and I clearly remember telling a friend of mine about six months before I started work on 'Elsewhere' that I would never write a novel.
When you're young and starting out, the big hurdle is to relax enough in rehearsal so that you don't feel intimidated. The more work you've done, the more you can experiment in rehearsal and not have to worry about getting the sack.
Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
Florida has its own rhythm, too. People go to work, they watch their children learn and grow and start families of their own. They play in the sun and pass their lives enjoying the outsized blessings that make our state unique.
I know this sounds phony, but I don't start out on a project going, 'I'm going to make an emotional work,' you know what I mean? You try to tell the story directly and honestly and with passion.
I start with actors that I know personally or I know their work, and there are things about their work or their presence or their own personality that make a character, that exaggerates some qualities and suppresses other qualities. It's always a rea...
Everybody is just at the start of this huge process of trying to unravel what's going on with the 4,400, where they've been and why they're back and what they're trying to do with us in the present. And we're trying to work out what messages they're ...
If that's your definition of the Clinton faction, then I think that that seems to be in ascendancy. That might include a guy like John Edwards, who's just starting this new center in Chapel Hill to deal with issues of poverty and work.
When I started painting 17 years ago, I never imagined that anyone would look at my work or buy my pieces. But now I do about 14 exhibitions each year.
It wasn't until I was in my teens that I started admiring writers as inspirations for my own work, and my earliest influences there were Stephen King, Marion Zimmer Bradley and Richard Adams.
You think when you start getting jobs that it'll get easier, but that's the biggest lie ever. It gets harder. You have to put in more work. I wish it were the casting couch days because it'd be a lot easier!
Here's a bunch of people practising a new set of behavioural norms. Apparently it didn't work because a lot of them got sick. That's the conclusion. You don't necessarily know why it happened. But you start there.
I always try to start out with some type of goal. Then I work backward and think of what I need to do to get there, and give myself smaller goals that are more immediate.
I used to write in bed, starting when I woke up. I believe that creative work comes from our subconscious mind, so I try to keep the gap between sleep and writing as minimal as possible.
The first thing I do after work is take off my TV makeup with a gentle cleanser. I also try to exfoliate twice a week. Waking up with dull, flaky skin is no way to start the day.
