It's a really paradoxical thing. We want to think big, but start small. And then scale fast. People think about trying to build the next Facebook as trying to start where Facebook is today, as a major global presence.
Most start-up companies fail and it is smart public policy to help entrepreneurs increase their odds of succeeding. But, the biggest loss to our economy is not all the start-ups that didn't make it: It's the ones that might have been created but were...
I think the moment you start trying to please a fan base is when you start going downhill. I'm going to always, always write about what I want, even if it doesn't necessarily cater to most of them.
I was a dancer when I got discovered, and I started working immediately. I started being in commercials and doing guest star roles. My first big thing, which happened maybe six months after being discovered, was 'Bring It On: All or Nothing.'
There are a few things that I will hopefully be credited for as a pioneer. One is my four-mallet playing. Another one is the starting what was first called jazz rock in 1967 when I started my first band, later became jazz fusion by the 1970s.
There's nothing like Opening Day. There's nothing like the start of a new season. I started playing baseball when I was seven years old and quit playing when I was 40, so it's kind of in my blood.
When the days start to get shorter, I want to be in some nice brick building on the East Coast with the lights glowing in the windows. When the daylight starts changing, I want to be out West.
The thing about the performance part... starting with improv and standup, you're starting with yourself as the character, and I don't feel as much like, 'Oh, I'm a vessel for -' I feel like someone who calls themselves an actor is a vessel.
I'm older than my sister so I started writing first. I started writing at school. I was always top of my class in composition, essays, English Lit and all of that.
I never go into a scene - ever, ever, ever - thinking, I have to make myself more empathetic toward the audience. Once you start doing that, you get into really dangerous territory. I think you start to become kind of untrue to the character.
I started doing all kinds of weird stuff on the guitar, which became part of my playing. I started doing harmonics and tapping on the guitar and pulling off strings and doing all this weird stuff that no one had ever done before.
When you start becoming really successful, the demons start to tempt you - the demons of vanity and self importance, drug abuse, the feelings of fraudulence. But, it's also a thrill. That's what I found weird.
If you have pendulum clocks on the wall and start them all at different times, after a while the pendulums will all swing in synchronicity. The same thing happens with heart cells in a Petri dish: They start beating in rhythm even when they're not to...
It is so weird to be on this side of that, because when you're starting out, and it seems like you're starting out for so long, you look up to the people who have made their mark. And you sort of want to be that.
I started writing prose before I started writing television. Then 'Breaking Bad' came around, and to me, writing 'Breaking Bad' is like writing a novel each season. So it's been very creatively satisfying writing for the show.
There's a period just before you start a movie when you start thinking, I don't know what in the world I'm going to do. It's free-floating anxiety. In my case, though, this is over by lunch the first day of shooting.
The very first Walnut Whales recording was recorded just a few weeks after I had started singing, out of the blue, started singing. And the voice, you can hear how uncomfortable I am with it, and how terrified I am with it.
I was lucky to book a show pretty quickly after getting to L.A., but I struggled getting started in Vancouver. If I had gotten those earlier roles in Vancouver, I wouldn't have gone to L.A. to get the show that launched my career.
It really gets into your system. All baseball players have this internal clock around February when it starts to kick in and the juices start to flow. I think underestimated how much I was going to miss it.
There was no last animal I treated. When young farm lads started to help me over the gate into a field or a pigpen, to make sure the old fellow wouldn't fall, I started to consider retiring.
In middle school, I started to draw, and my pencil sketches were huge. They were these 4ft by 3ft drawings, and I got a lot of attention for that, so that was very validating. But I didn't start cartooning until I was in college.
