I like the idea of paradox, between the authentic fabrics and sophisticated shapes and between masculine and feminine. I'm not so much for sportswear. I think it's over.
My mind is vacant on names, but I know him as well as anything. When I need names they drop out of my head; when I don't need them they drop back.
I don't think there's any such thing as teaching people photography, other than influencing them a little. People have to be their own learners. They have to have a certain talent.
Oh, you ask me, what is the greatest torture of a person who does portraits for a living? I could fill several volumes with nice nasty stories. I don't know.
I always admired Stanley Kubrick for the fact that he managed to beat the system somehow. I think he kind of had it all figured out.
Now very often events are set up for photographers... The weddings are orchestrated about the photographers taking the picture, because if it hasn't been photographed it doesn't really exist.
I have been blessed to realize my dream of becoming an underwater photojournalist, but with that, I feel an obligation and sense of urgency to share what I have seen with others.
I think that most people would associate big schools of fish with healthy coral reefs. At Kingman, the predators keep the herd thin, so there aren't a lot of big fish schools.
The Christian is not one who has gone all the way with Christ. None of us has. The Christian is one who has found the right road.
I began to realise that film sees the world differently than the human eye, and that sometimes those differences can make a photograph more powerful than what you actually observed.
Luckily, many other people tell me how they have had a particular landscape photograph of mine in their office or bedroom for 15 years and it always speaks to them strongly whenever they see it.
The combination of pictures and words together can be really effective, and I began to realise in my career that unless I wrote my own words, then my message was diluted.
The reason that I keep writing is that all my most powerful messages about the fates of wild places that I care about need to have words as well as images.
We photographers deal in things which are continually vanishing, and when they have vanished there is no contrivance on earth can make them come back again. We cannot develop and print a memory.
I'm half deaf. I have nerve damage and a constant ringing in both of my ears, and there are certain times and conditions when I can hardly hear at all.
A virulent, aggressive minority has decided that Americans don't know themselves what it is they should see, and need to be protected by people who are wiser than they are, even if they are only a tiny sliver of the population.
Now, I recognize that there are certain postures and angles that make people see red, which are evidence of original sin or something, and I avoid that. I don't shoot that any more.
Some of the people that I photographed as sticks became much more voluptuous, much rounder, in some cases dramatically so, and I think they're even more beautiful.
I could get my camera and point it at two people and not point it at the homeless third person to the right of the frame, or not include the murder that's going on to the left of the frame.
With a photograph, you are left with the same modes of interpretation as you are with a book. You ask: 'What do we know about the author and their background? What do I know about the subject?'
Long before the thousand millions are here, the mighty centrifugal tendency, inherent in this stock and strengthened in the United States, will assert itself.
