I almost never set out to photograph a landscape, nor do I think of my camera as a means of recording a mountain or an animal unless I absolutely need a 'record shot'. My first thought is always of light.
What I mean by photographing as a participant rather than observer is that I'm not only involved directly with some of the activities that I photograph, such as mountain climbing, but even when I'm not I have the philosophy that my mind and body are ...
I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.
I remember when an editor at the National Geographic promised to run about a dozen of my landscape pictures from a story on the John Muir trail as an essay, but when the group of editors got together, someone said that my pictures looked like postcar...
This is due partly to the fact that Americans are much better fed than Europeans, and partly to the undeveloped resources of a new country, but more largely to our climate, which acts as a constant stimulus.
We have seen... that, although England is by far the richest nation of Europe, we have already outstripped her in the race after wealth, and we have only begun the development of our vast resources.
When you grow up your mother says, 'Wear rubbers or you'll catch cold.' When you become an adult you discover that you have the right not to wear rubbers and to see if you catch cold or not. It's something like that.
I won't do advertising if they bring a layout and say, 'This is what we want to do,' because anybody can do that; it's not interesting. They've got digital and the computer; it's not taking pictures, it's not magic - it's a picture done by committee.
Certainly, I've loved musicals for a while, so I did some short films in college that had musical numbers and things like that, so I've kind of been obsessed with Fred and Ginger and Vincente Minnelli and Stanley Donen and Jaques Demy forever.
I write in order to express what the photo itself cannot say. A photograph of my father doesn't tell me what I thought of him, which for me is much more important than what the man looked like.
I'd done my time in corporate America, from McDonald's making shakes to Morgan Stanley making deals and, yet, I felt awfully constrained by the uniform - not just my clothes, but how I felt I needed to conform - that a traditional job required me to ...
In those simpler days, you could just take pictures of movie stars and show them the way they were, as normal human beings. And if I felt part of any movement at the time, it was just to do that - to be journalistic and photograph what is, rather tha...
Making children cry for a photographer can be considered mean. But I would say that making children laugh and show off their jeans for an apparel ad is just as exploitative and less natural. Toddlers' natural state, like, 30 percent of the time, is c...
John Mason: I'm sure all this will make a great bed time story to tell your kid. Stanley Goodspeed: You're insane, Mason. The kid'll have nightmares. I'll spend all my money on shrinks.
Stanley Goodspeed: How'd you do it? John Mason: Nurtured the hope that there was hope. That one day I'd breathe free air. Perhaps meet my daughter. Modest hopes, but they kept a man alive.
Stanley Goodspeed: Okay, I've got some bad news, and some really bad news. The bad news is, is that the gas is corrosive and its eating our suits... Isherwood: It's all over my hand, man!
Stanley Kowalski: You're gonna kill who, you dumb jerk? You don't even know when you get wised up. Come on. Mitch: You don't have to wise me up.
Stanley Kowalski: You know what luck is? Luck is believing you're lucky, that's all... To hold a front position in this rat-race, you've got to believe you are lucky
Bree: I got a phone call last night from a juvenile inmate of the New York prison system. He claimed to be Stanley's son. Margaret: No third-person. [brief pause] Bree: My son.
'Love' has that Kubrick tonality to it, but this is not a Stanley Kubrick movie - there will never be another. At the same time, 'Love' has a modern feel. For example: In one scene, these astronauts go through a wormhole sequence, and you feel like y...
I had a very outdoorsy childhood. I was athletic and used to ride and do dressage. I could ride almost before I could walk. There is a picture of me at 18 months old sitting happily on the back of a donkey.
