I think I related more literally to the early 'Spider-Man' comics from Steve Ditko because it could be upfront and direct about the problems of being a kid. He captured being a teenager so beautifully.
When comics came along in the 1930s there was a talent pool waiting. And one reason is so many areas were closed to Jews. Colleges, advertising agencies, many of the corporations - the doors that were closed led to the one that was open.
To look back and know that I have had a pivotal role in the development of comics is something I'm very proud of, although it's not something I think about unless someone brings it up.
I must have been 3 years old or less, and I remember paging through these comics, trying to figure out the stories. I couldn't read the words, so I made up my own stories.
When I get some budding young comic who'll come up to me and say, 'What was it like to do it in those days?' I try to be as gracious to him as Stan Laurel was to me.
With the 'Watchmen' comic, we attempted to tell it in an accessible way. I deliberately made the artwork very clear, deceptively so. You think you're sucking on a sweetie, but it turns out to be a sugar-coated chili.
Because I write prose, when I sat down to write a comic, it feels like my brain's working differently. It actually feels like different bits of my head are springing into action.
I tell young comics, 'Do you want this badly enough? It's there. But you have to go get it. And if you think I'm going to give you the key to the lock of that door, there is no key, there is no lock, and there is no door.'
Don't you understand how dramatic it is to be a comic? To be a fool, to get people to laugh at this show-off? Milton Berle could take Laurence Olivier and stick him under the table if he wanted to. And so could I.
I was a stage actor for 20 years or so; I was leading men in classical things. 'Shakespeare,' you know. And now, I never play leading men. I'm that kamikaze comic that comes from the left, turns the table over, and leaves, or the hyper-intelligent yu...
I had a very mixed kind of childhood reading. I read the childhood classics like 'Robinson Crusoe,' 'Alice in Wonderland,' 'Chums Annual.' At the same time, I read an enormous number of American comics because Shanghai was an American zone of influen...
If you spend any time in Washington you'll find nerds. What happens is most of them sublimate their fixations with comics, or baseball cards, or 1960s British comedies to policy minutiae and political arcana. But, like Christians in ancient Rome, you...
I tend not to look at my work after I've done it. In fact, the only time I typically get to review it is when the fans bring up comics at shows, and I kind of flip through it and be like, 'Oh, I remember doing this!'
When I started formulating the first Frank comic, I knew I wanted it to be something that was beyond time and specific place. I felt that having the characters speak would tie it to 20th-century America, because that would be the idiom of the languag...
I know there are fewer women comics, and I think there'll continue to be an inherent sexism in many industries, comedy being one, just because things do take a while to evolve. Things are changing, but it's going to take time. I accept this rather th...
Martins: I'd make comic faces... and stand on my head and grin at you between my legs... and tell all sorts of jokes. I wouldn't stand a chance, would I?
In the '50s, a lot of stories were built around radiation and the proliferation of new technology. In the '70s, there were a lot of stories that dealt with the Vietnam War. So comic books have always been a reflection of the times we live in.
I'm the biggest nerd - I love comic books and stuff like that! I don't have any friends who are actresses. I only had one girlfriend when I was growing up. Most of my friends were boys. I was such a tomboy. I enjoyed doing guy things.
I'm not sure anybody's ready to see me in a drama. And loving movies so much, I've seen a lot of comics try to make that transition too fast, and it can be detrimental. And I don't think I've had as much success as I need in the comedy genre to open ...
I play a character called Lieutenant Delcourt who, in the original comics, pops up from time to time to rescue Tintin. I guess if you've grown up watching movies like 'Jaws' and 'Indiana Jones,' it's pretty surreal to find yourself on set with Steven...
Robert Crumb: You turned yourself into a comic hero? Harvey Pekar: Sorta, yeah. But no idealized shit. No phony bullshit. The real thing, y'know? Ordinary life is pretty complex stuff.
