The one that was most fun was That's My Bush; the part that I did for Comedy Central. That was a hoot. That was more fun that one should be allowed to have.
I basically did comedy there for about a year, and then moved to New York. If I had it to do over again, I would have booked myself on the road for at least a year.
Stanley Kubrick went with his gut feeling: he directed 'Dr. Strangelove' as a black comedy. The film is routinely described as a masterpiece.
Stand-up keeps you alive. It is definitely the most specialized field in comedy because you need to stay sharp and well-tuned every night.
I've always wanted to do a real comedy. I haven't done enough, and it seems silly not to do more, considering the fact that people tend to laugh at me.
There was so long from when we did the pilot and then when the show was eventually picked up by Comedy Central - and, in fact, we had to shoot the pilot twice.
As a kid, I loved Paula Poundstone and Richard Pryor. But my mother was a huge influence on my comedy.
I get a lot of flack from critics that my comedies are all over the place, my dramas are all over the place, they're schizophrenic - as if I don't know that!
When Kubrick decided to go the black comedy route with his movie, he thought of me to give it that flavor.
I like horror; I like comedy; I like drama; I like action; I like female heroes.
I consider a CD or a comedy collection as a record of what I've been doing, and I try to wrap it up and start new material.
I consider myself a serious musician. Doing a comedy show does not take away from that in any way.
Horror is a totally different animal. It's intense. You can do drama or comedies, but in horror, you really have to trick yourself into believing a lot of unbelievable phenomena.
A lot of actors are like, 'Why do I do this? My character wouldn't do this? This doesn't make sense.' And in a comedy, you kind of just need to walk into the door.
I don't want to be known as this goody-two-shoes who can only do comedies where puppies are licking peanut butter off my face.
The fine line that you do when you do political comedy is, as long as you have that laugh, you're fine.
I really like doing television shows, and I anticipated doing a comedy, because that's the place I feel the most comfortable - those are the risks I want to take.
Comedy isn't polite and it isn't correct and it isn't accurate, even. It's just a mess. So that's the way that I approach it.
The violence or the vaudeville style of comedy is a technique all by itself. You get up there, and you are a comedian, and you're doing one thing. That is, you're going to make the audience laugh.
'The Dice Man' is an anti-establishment cult novel, and you don't normally make studio films from such dark comedy material.
Old radio comedy makes me laugh, as well as 'I'm Sorry I Haven't a Clue' and comedians like Paul Merton.
