I think my comedy, the put-downs I do to hecklers, are the accumulated bitterness of years of people feeling that it's perfectly acceptable to make a comment on your appearance when they don't even know you.
I keep my stand-up comedy notes in a pile on my desk. I don't organize my act. I keep myself in a state of confusion. It stresses me out, but I prefer creative chaos.
I did a couple comedies to balance myself as an actor and balance how audiences see Donnie Yen as an actor, and I would even say as a celebrity or icon, to some fans. I want to show that I'm not Terminator.
You can find pictures anywhere. It's simply a matter of noticing things and organizing them. You just have to care about what's around you and have a concern with humanity and the human comedy.
Golf was my first glimpse of comedy. I was a caddy when I was a kid. I was on the golf course rather than being in lessons, but I can play better now than I could then.
I got involved in improv comedy. It settled me down when I was getting wild. I was sort of an evil teenager smashing up my cars and drinking and driving, let's just say, a lot.
Only recently - about five minutes ago, relative to the long-running human comedy - have parents been driving themselves to distraction by taking too seriously the idea that 'as the twig is bent the tree's inclined.'
If we can't have comedy books written about aspects of womanhood without going into a panic attack about it, then we haven't got very far at being equal.
I plan someday to do a one-man show based solely on the e-mails of Bellamy Young. And people will think I've written a brilliant comedy myself when, in fact, all the text will be directly from Bellamy.
The dead worry the living because their silence reminds us how little the great comedies and tragedies in our lives matter and how little the universe would care if we'd never lived at all.” -- Nara
I don't know, people take chances on stage. It's a big free speech zone, a comedy show. So sometimes things happen, you say things that are a little bit off the edge.
There's nothing like the energy in a small comedy club room or a small theater when it's going really well. I can see everybody's face practically in the whole room. There's no cameras in the way, and it's just me.
I do miss the rhythms of comedy. And I've never been able to perform very well without an audience. The sitcoms I've done had them. It was like doing a little play.
But I just think I was lucky enough to figure out early on that I wanted to do comedy, so that's what I put all my effort into.
I loved that about her because I knew it would open the door for a lot of comedy, because I knew that the conflict would come, because not many people live like the way she does.
There's just something about youth and comedy that go together. Maybe it's that foolishness, that silliness that you can get away with when you're younger, that you can't get away with when you're older.
Stand-up comedy is the most relaxing thing I do. If I want to unwind and de-stress, I go out and do stand-up, often several shows in a night.
Comedy is similar to hockey... in only one way. You get a lot of credit for assists. So I try to serve whatever the intention is, be it the joke or the story or the scene or the moment or the kiss, even if it's not my joke or moment.
A woman doing comedy doesn't offend me, but sets me back a bit. I, as a viewer, have trouble with it. I think of her as a producing machine that brings babies in the world.
With comedy, it's a combination of knowing the comedic beat was good - it made you laugh, it made people on the crew laugh. With drama, you do something deep and if your stuff was really effective, the ultimate result is silence. Silence is not neces...
I may be more passionate about my comedy because that's the one place where I feel comfortable - because I'm in the now. Performing is the only time of the day when I have to really force every ounce of concentration into whatever's happening in that...
