I'll do whatever I can do to remain employed. I'm just not precious about doing comedy or doing drama. I never want to do something in order to prove to other people what I can do.
When I was a student I was very, very ambitious, completely immersed in my comedy career. I never had that period of reckless hedonism that you should get out of your system in your youth.
There's something quite joyful about doing comedy which doesn't really need much analysis. I'm not elitist. I like to do crowd-pleasing stuff which is a bit smart, but is just about belly laughs.
I'm just an actor. If it's drama, I add as much humour as the part will stand. And if it's a comedy, add as much drama as you can, so it balances out; you don't wanna be too serious.
Confident people, who understand comedy, improvise so much better than people who are scared. You can't be scared to improvise. You have to know your character, and then you have to let go.
I take my fun very seriously, whether it's playing the drums or acting in comedy bits. The need to be disciplined about it, and not take it lightly, and not be too casual, is something I take deeply to heart.
You get dinged for wanting to do a comedy, then wanting to do a big-budget action film, and then wanting to do an indie. But you can't let other people trying to label you get in the way of trying to do something artistically.
When you get down to it, at it's root, Comedy is truth, absurdity, and pain. One of my little mottos is: 'Do you remember the Peanuts cartoon where Charlie Brown kicked the football and kissed the Little Red Haired Girl? Neither do I.'
Obama was elected on a slogan of hope and change because both were in short supply: the military exhausted by two wars, the banks failing their public trust, the U.S. Congress a comedy of dysfunction, and a federal government that seemed designed to ...
My experience is at The Groundlings Theater, where we created different characters and did sketch comedy. And sometimes the characters were outrageous, but they always came from a real place. So even working there, we had to create characters from th...
My very first job was something called 'Nobody's Watching,' that Bill Lawrence who created 'Scrubs,' it was his pilot. It was my very first TV job, and it was a sitcom. Ever since that experience, I've been so itching to get back to that kind of envi...
Remember, we really grew up separately; our life experience was very different because of segregation. So I think comedy is a good space to work those things out and educate everyone about the different experiences and different race groups in South ...
I think we're the only jokeless show on television. I mean really, we have no setups and no punch lines. It's not a joke show. There are funny lines and funny moments but again the comedy is born of the human experience and awkward pauses are a great...
The way I view comedy clubs is, people are drinking, they're ordering food, they're out for the night, and there's also a person onstage talking. And with the theater, they came to the theater, and they're waiting to hear what you say. So you'd bette...
There's a glorious sense of freedom in comedy, just allowing myself to tell jokes, allowing myself to interrupt myself and tell old African folk stories that I made up - or didn't - and Jamaican stories.
Other than friends and family, my favorite things are New York and stand-up. I love doing comedy in New York - I can do way more stand-up here than in Los Angeles.
'Family Ties' was a very successful situation comedy. And, in almost every respect, it functioned on a day to day basis like a well-run, well conditioned basketball team. The show was performed live each week in front of a studio audience on Friday n...
More than any other setting - more than battlefields or boardrooms or a spaceship headed for intergalactic travel - I'll put my money on the family to provide an endless source of comedy, tragedy and intrigue.
Being on a comedy tour is like traveling with family, everyone is all having a great time... then all of a sudden it turns sour. One thing gets said out of turn, and everyone is on everyone's last nerve. After an hour of silence, we all start laughin...
Talent grips us. We are overtaken by the beauty of Michelangelo's sculpture, riveted by Mariah Carey's angelic voice, doubled over in laughter by the comedy of Robin Williams, and captivated by the on screen performances of Denzel Washington.
Presenting the Oscars was the most nerve-racking job I have ever done in show business. It's very much a live show: they have comedy writers waiting in the wings, and as you come off between presentations, they hand you an appropriate gag to tell.
