Your own experience keeps taking you towards something. My book adds the hope that it's a better something.
God is not something I think about but something I experience as an energy, a Presence. I do find it easier to pray to a female Presence or an androgynous Presence.
Maybe poverty is a special case of something else. That something else is 'scarcity,' and anyone who has the experience of 'having very little' experiences the same psychology.
I like me food. I also don't like me exercising. It's something me don't do very well. But it's something I've got to get into.
First and foremost, telling historical stories is very tricky because it is something that is known. It is not like you can tell a lie or change something that is written in black and white.
They say a person needs just three things to be truly happy in this world: someone to love, something to do, and something to hope for.
Hope is definitely not the same thing as optimism. It is not the conviction that something will turn out well, but the certainty that something makes sense, regardless of how it turns out.
The kids out there want something they can relate to, something that's real; most of that whiny stuff isn't real. The cheesy pop songs just bore me to death.
I'd like to design something like a city or a museum. I want to do something hands on rather than just play golf which is the sport of the religious right.
One of the great things about young entrepreneurs is that they don't know that something can't be done. So they try something that's so audacious and usually end up pulling it off.
Being a leader doesn't mean you created something or you did something great in the past or some other person has given you any kind of authority.
I think my mum wanted me to join the army or something, or become a surveyor - something with good career prospects.
When I was 12, all I wanted was to be good at school, and to do something admirable, something you can't take away from me because I'm not popular or beautiful enough.
I find that with any good run on a show with good writers, they put something on paper, and you put something back on film, and that affects what they put on the paper the next time.
As long as I can make an audience feel something, I don't care whether it's a good thing or bad thing, just to feel something is important to me.
Acting was something that just came along. But I made good money, so it wasn't something I was just going to put aside and pretend it didn't exist.
I don't seek discomfort. But, very often, you realise that what you fear is actually quite ephemeral; something's different, something's unfamiliar; therefore, it must be worse.
I feel like I write songs for the future or something. Not in an arrogant way, but I feel like maybe my songs were, like, before their time or something.
I see no point in exchanging something that I understand, know, love and think will have a great future for something else that I know much less about.
When I say something untrue on the air, I mean for it to be transparently untrue. I assume people know when I'm just saying something for effect. Or to be funny.
Every movie I do, or when I'm on the sketch comedy show, I don't really get into it until I have an outfit or something funny with my head or face or something.
