When you play arenas you can create whatever you want. At a theater the height of the stage and the limitations of the theater can make you feel more separate from the audience.
The first stage I preformed on were the stairs to the hallway in the living room. There was a really nice platform, and when people were sitting in the living room, it was kind of an elevated platform and we would put on shows and skits.
It doesn't really exist; it's just basically lots of different stages between the two pieces, and you end up with, like, a third shape that doesn't exist but is suggested to you by the image.
Once you go from 10 people to 100, you already don't know who everyone is. So at that stage you might as well keep growing, to get the advantages of scale.
When I was ten, I saw 'Grease' on stage and thought: 'I want to be part of that; it looks like so much fun.' My mum enrolled me in a local theatre group, and it all went from there.
There was a point in the '80s when I looked out at my audience and I saw people that - were I not on the stage - they'd sooner slug me as they walked by me on the sidewalk. And I realized that I was way beyond the choir.
When people embrace character, there's latzie. It's the stuffing of a scene that's not written. It's not in the stage direction and it's not in the words. When people embrace character, it informs their living, breathing moments in a scene so well.
Six decades ago, as Mao's Communists seized power, the question in Washington was, 'Who lost China?' Now, as his capitalist descendants stand astride the world stage and Washington worries about decline, it seems to be, 'Who lost America?'
We would play songs live on stage, and then we'd watch their reaction we were receiving immediately, if people were dancing and singing along. If they weren't, then we'd go into the dressing rooms of the different NBA teams that we were playing in th...
If someone tied me down and made me answer the question, singer, actress, clothing designer, I most likely - it could change on any given day, but mostly likely I would lean towards singing. It's where I feel most like myself - on stage singing.
We are all encouraged that Bush appears, really for the first time in his experience on the stage of presidential politics, relaxed. His comfort is our comfort.
A musical, like most religions, provides the audience or followers with a sense of belonging. Religious services, on the other hand, with their staged performances, invigorating songs, popular wisdom and shared experience, are almost a form of commun...
One of the things I like about performing on the stage is that it is a kind of meditative experience. Time does stand still. You have no concept or feeling of the passing of two or three hours' time. It's all kind of one present moment, which is a ki...
Our album 'Show No Mercy' came out in late '83, and we did three or four shows in San Francisco after the release. That was our first experience with stage-divers, crowd-surfing, people walking on people across an entire crowd.
There is no way that writers can be tamed and rendered civilized or even cured. The only solution known to science is to provide the patient with an isolation room, where he can endure the acute stages in private and where food can be poked in to him...
I don't want to make it a hard, fast rule, but it's surprising how many 'fun for the whole family' acts are real scumbags. The people that confess they're scumbags on stage are generally really great people. They're more honest with the audience with...
At the Sahara, the seats are banked and most of the audience is looking down at the stage. Everybody in the business knows: Up for singers, down for comics. The people want to idealize a singer. They want to feel superior to a comic. You're trying to...
I think one of the most difficult challenges in show business is the challenge of longevity and to constantly realize and reveal what's already been there - like doing stage and singing and dancing in New York. I haven't been that far out of my comfo...
This business is about working. It's really not about glamour. For me, the most glamorous thing about it is to b able to get on stage and perform my music for people. That's the privilege. And that's what all the work leads up to, and that's why it's...
I've never chased fame. I came into this business to be a theatre actress. I was nine when I first appeared on stage. But I can't say I would turn my back on fortune. I'm someone who enjoys the benefits of money.
You gotta know that you're better than anybody, 'cause to me, if you don't go in like that, you're gonna lose! They're gonna punk you out! On any stage, court, business venture, on the anchor desk - whatever. You've got to go in believing, 'I can do ...
