Stage work, that's all I have in my background. Wasteland was my first TV experience. Dawson's was my first long-term, I mean the entire season of 22 episodes.
And we know that once we have a majority that are dependent upon the government, we will lose our freedom; it says we go into bondage. That's the next stage.
In productions such as 'Anna Bolena' and 'Rigoletto,' the costumes are tailored, and they're tight. In 'Moby,' it's like you're wearing pajamas, and you have more freedom. It's very comfortable on stage.
What's important is to get into shape and then not to have to worry about it. I don't want to get on stage and not being able to do something. Not being physically fit doesn't work for me.
I definitely want to have a family without a doubt. I want to know that kind of love, and I'm definitely thinking about it. I'm not afraid to have a little baby bump on stage someday.
In my own mind, we are a much happier and much more functional family and a much more well balanced group of individual s both off and on the stage - in the current incarnation.
I had a very active imagination as a kid, and I was constantly performing, whether I was making money doing it or not, whether it was on a stage in front of 1,000 people or in the living room in front of my family.
My family was blue collar, a middle-class kind of thing. My father was born in Detroit, Italian-American. My mother is English. She acted on the stage with Diana Dors. Her parents were French.
In high school, I was too shy to perform. It's one thing to get laughs from your family, to be funny at parties and in class. It's another thing to get up on the stage.
I'm a 'never say never' girl. Frank Sinatra retired four times. He kept coming back. But there are people in our business who want to die on stage. Literally. I don't want to do that.
Advertising is a business of words, but advertising agencies are infested with men and women who cannot write. They cannot write advertisements, and they cannot write plans. They are helpless as deaf mutes on the stage of the Metropolitan Opera.
I got to show off in front of my husband, who married me as I was stepping out of the business, so he had no idea that I could strut my stuff on the stage.
But then, you know, I'm very happy, I've got to this stage in my life and I'm not dead. I haven't got married and divorced and done all that palimony business, you know all that mess.
I play the piano a lot at home. I write songs on the piano and guitar. I would like to actually play piano on stage. I don't think I'll get the chance for a while.
In 2002 Mom and I got a chance to act together in a play called 'Pitching to the Star,' with her brother, Robert Lipton. The three of us on the same stage - that was such a special experience for me.
The studio work is the nasty, tedious, hard and nerve-wracking part, interrupted by moments of exhilaration. Playing live is the chance to actually have some fun and get on a stage.
If death meant just leaving the stage long enough to change costume and come back as a new character, would you slow down? Or speed up?
It gets lonely. I miss my family on stage. This might change one day. I'm certainly not going to say I'm not going to work with them again.
An individual's refusal to carry out the criminal acts of his government sets the stage, in the most effective way possible, for the attempt to demonstrate the criminal nature of these acts.
I do go through a mini depression because one minute there are people yelling and screaming for me on stage and the next I'm at home and it's dead quiet. So it takes a while to come down.
If I'm at home for the weekend - and that is almost never - I tend to get twitchy at about eight o'clock in the evening because my body clock is timed to go on stage. I don't know what to do with myself.
