I don't like getting up in front of people and being the loud one when everybody's out quiet and you're the only one talking. I'm not a fan of that. I'm fine when I get in front of a camera, I don't care. You'll never see me on stage. Not at all.
There's no job like 'SNL.' There's no other job you go to where you're like, 'Oh, this is like that live, late-night sketch variety-musical show that shoots in, whatever it is, 10,000 feet of sound stage.' There's nothing like it.
Out of 30 years of Second City I was probably the third African-American with the main stage cast. I was surprised when I first heard that. I think part of the reason that improvisation has never been popular with African-Americans is that it isn't p...
People never think of entertainers as being human. When you walk out on stage, the audience think, 'Nothing can go wrong with them.' We get sick and we have headaches just like they do. When we are cut, we bleed.
A monster. You and your friends, all of you. Pretty monsters. It's a stage all girls go through. If you're lucky you get through it without doing any permanent damage to yourself or anyone else.
Ever since I was younger I wanted to be on stage, singing my songs in a glittering costume. And that happened and is still happening. I have to remember that this is what I wished for and be grateful because there are 500 other girls right behind me ...
People expect comedy from me but I am not just a stand-up comedian anymore. I act on stage, host 'Jhalak Dikhhla Jaa' and also conduct interviews on my show. I have grown as a person and an artiste.
Up on that stage, my personality changes. I put everything behind me when I perform. My problems don't belong to my fans. I don't put a burden on my audience. I give them 100 percent of my energy.
I am basically the sort of person who has stage-fright teaching. I kind of creep into a classroom. I'm not an anecdote-teller, either, although I often wish I were.
What I can't quite see at this stage is that the evidence, even to the president, seems to be that clear. And if it is that clear, I can't understand why we are not capable of convincing our closest allies that given that evidence, they ought to join...
I had left school at 16, gone to stage school - and, until I was 22, I hadn't really played anyone but myself. Then in 1979, I made a film with Mike Leigh called 'Grownups,' which went out on the BBC, and overnight this new career opened up.
I don't need to be liked, but I need to be vital - on set or on stage - and I think that probably would be my advice: Stay vital. It's about saying 'no' and asking the tough questions and believing in yourself when no one else will, but you have to k...
I don't have children, but I have 17 nieces and nephews, and they more than make up for anything that I can do. I have a stepdaughter, and I adore her to pieces, and I think about adoption. There are so many kids at different ages and stages that nee...
In live-action, writing, production, and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors, and the editor, and it makes the wri...
To be diagnosed with cancer was a frightening thing, and my first reaction was sheer panic, but I was really fortunate that the cancer was caught at such an early stage that I didn't need chemo or radiotherapy. But I know that cancer is a chronic con...
Last tour my bass rig was breaking down every other night. That was a pain. We would get on stage and Trey would count off the song, and I'd play the first note and nothing would be there. Those guys would just roll their eyes.
With a stage play, they can't cut a word; you can be in rehearsals every day, you cast it, you cast the director, too; the amount of control for a playwright is almost infinite, so you have that control over the finished product.
I'm not going to beat the cancer. I tried really hard... but sometimes you're just not going to beat the thing... I wanted to walk off the stage and say anything I thought was important; I had my hour.
I want to be remembered going off the front, not the other way. After winning my seventh king-of-the-mountains title and winning a stage on Bastille Day, I asked myself, 'What more can I do in cycling?' I want to go out at the top.
I try not to think too much about an audience when I'm writing the first draft of a book - at that stage, the prospect of anyone reading what I've written would be enough to scare me into setting my laptop on fire.
Everyone’s life is an evolution of emotions, spirit and beliefs. The storyline changes, plots thicken, main characters mature and new spiritual journeys begin. This is true of inspirational authors. Their books represent only the stages of their li...