In that early-love stage, you're in that state of exhilaration. You talk till dawn. You become obsessed with 'What does he think?' 'Does he like me?' 'Does he think I'm fat?'
The stage is my comfort zone, and playing live is what I've always wanted to do. It's why I want to do two hundred dates a year. I wouldn't feel that way if I were nervous onstage.
It's always interesting - how do you actually convey thought through song? We're used to the convention on stage. In film, we used to be used to it, and now sometimes it works and sometimes it doesn't. You need to be fresh and really look at the mate...
The words we use have weight. Whether it's in a conversation with a friend or something said publicly on stage or broadcast. And as performers, we know that because that's why we choose the words we use - that's the whole point of comedy.
I like creating something from nothing and hearing it on the radio or on stage or from somebody driving down the street singing it. It's like building a house, taking a vacant piece of land, and next thing you know, there's a house with somebody livi...
You go through those awkward, dorky, geeky stages, and growing up in the industry amplifies all that. Fortunately, I have a mother who encouraged me to build my confidence from within and embrace my imperfections.
I have more energy at the end than I do at the beginning. You can be so beat up that you can scarcely walk on stage but when you get to the piano the excitement kicks in, you forget about being tired.
I think it all comes back to being very selfish as an artist. I mean, I really do just write and record what interests me and I do approach the stage shows in much the same way.
I didn't have traditional stage fright. If there was 500 people in the audience or three people in the audience, it didn't really make a difference. What made a difference was the conductor. Everything that I was scared about as a drummer was him.
When I played with Johnny Cash and Waylon Jennings in Vegas, the guys used to go, 'Dick, cut it out, man! You're moving around too much on this stage. You're making us look bad!'
When you go out onto the stage, all the preparation has to be forced into your subconscious. For the moment of the performance, we all have to return to a new level of unconsciousness. All the reflection and all the doubts have to be laid aside befor...
I really feel like the first day I went to drama school and I went up on stage, that I found my vocation. It's kind of a cliched thing to say but I really feel like it was what I was meant to do.
Film is mostly a visual medium, and so the director has much more control in terms of painting pictures and painting a performance. For theater, the director does everything he can and then says, 'Out you go,' and the actors are in charge of that sta...
I want to get to the point where one day I don't have to have anything but a rug and a microphone stand on stage and still be able to sell out places like Madison Square Garden, like Bruce Springsteen does.
Each culture has its own form of staged combat, evolved from its particular method of street fighting and cleaned up for presentation as a spectacle, e.g. savate, Cornish wrestling, karate, kung-fu.
Some part of me knew that I could play this part well, or better than well. But I was almost afraid to play it. The line between stage and life was so fragile here that I felt a risk of losing myself somehow.
I remember when I was doing 'The Crucible' on Broadway with Laura Linney, and Arthur Miller had been in rehearsal with us and was on stage on opening night. She turned to me during the curtain call and said, 'Let's make sure we remember this.'
The third stage was the reaction that came when the body struggled to compensate for its ills - when, for instance, the white count not only returned to normal but increased to much higher than normal levels.
You can't lose your concentration at all. And there are times when you're on the stage, and you've got silence, which is wonderful, but you have to have the confidence to make you realize it's fine. You can't suddenly wobble and think, 'They're not i...
Let us make a pledge now to help Fiji through this very important next stage of its journey. We can do this by promising to be patient, calm and tolerant and by respecting the views of others, even if we disagree with them.
To me, the appeal of opera lies in the fact that a myriad of singers and instruments, each possessed of different qualities of voice and sound, against the backdrop of a grand stage and beautiful costumes, come together in one complete and impressive...
