It was June 4, 1979, the first time I went on stage. I didn't know I could do it but I knew I couldn't not do it. I quit everything in my life and this was the one thing I couldn't quit.
Most of my avant garde fashion is saved for my videos and for the stage. In real life, I tend towards a classy, black Goth look. I love black, a few sparkles, false eyelashes and boots. But when I perform, I love fantasy and props.
Because I don't think it's very healthy to hold people to idealized views. I think that's a certain stage in life, something kids do. You have to go through that idealistic phase with your parents, but at a certain point, you need to see people as ju...
Whether you are a writer or an actor or a stage manager, you are trying to express the complications of life through a shared enterprise. That's what theatre was, always. And live performance shares that with an audience in a specific compact: the pl...
I don't know if it's that the scripts are evolving or just that I'm getting older, but the characters become more interesting as you get older because you've lived more life at different stages. You've loved; you've lost; you have more of that journe...
I know that there are people who believe that if they get to the stage where life is absolutely intolerable because of pain and indignity... they would like to end their life before nature intended, and we think they should have the choice to do so.
I've discovered that I've never had much respect for money, and that has meant that money has ended up ruling me a little bit more than it should have. So I'm trying to learn - at this late stage in life! - to actually control that.
Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don't like to perform.
I love theater work because of the immediate effect your performance has on the audience. And I love the repetition; I love getting on the same stage for more than a month and reciting the same lines, trying to make a small or large step towards an i...
I don't see my dancing or acting as two separate things. I don't define them separately, so I can't say one has helped the other, It's all the same thing. More than anything I love being on stage and performing.
Modelling was not very satisfying for me. I came to London to model, and I fell in love with the theatre. I was eating yoghurt every day so that I had the money to go to the theatre. I saw everything. It's still my dream to be on stage in London.
It really comes down to Mick. He's the one who was constantly trying to get these five people in one room together. This is his love, his baby. It's his band, and there's nothing more he loves to do than get up on stage and play with us.
And because of the reunion I think we've got more energy and enthusiasm than we've ever had. And it's genuine. I think the fans can detect when you're genuine, when you love what you do, and we love to be there on stage. That's what we thrive on.
I received the most fantastic welcome to the Broadway Theatre community. I walked on stage to tremendous applause and a long standing ovation, wondering when I was ever going to be able to say my first line!
If I do a film and have to get naked, that tends to dictate how often I go to the gym. Acting in 'Richard II' on stage was a huge physical workout, so I ended up more toned than I normally am.
I think I should get a bigger between-the-song persona, so then I'm not wandering around the stage like some mad old auntie that's saying hello to people and falling over.
So another challenge for our generation is to create global institutions that reflect our ideas of fairness and responsibility, not the ideas that were the basis of the last stage of financial development over these recent years.
I would rather do a play because it's instantaneous. You go on the stage, and you know whether it's happening or not. Somebody asked me 'What is acting?' And I said, 'Acting is listening.' And if you ain't listening, nobody's listening.
I like to pick out a certain part of each show I'm in and I watch it when I'm not onstage or in my dressing room. I'll go down to the stage and watch that part of the show each night.
For me anyway, until I was exposed to doing improvisation and walking onto a stage without any script, I would have never felt comfortable enough to walk into a room with someone like Larry David and audition.
Loving those who hate us means wantonly setting the stage and orchestrating the situation in a way that’s sure to result in a production of great personal calamity. But to not love them is an even greater calamity.
