That was the producer who produced a couple of my solo albums. He produced my second, third and fourth solo albums. It was his project and I just joined him on it. I sang on one and played bass on another one.
A lot of the people in San Francisco think of themselves as healers - not just as people delivering this base service, but giving their clients spiritual help. It's almost like being an actor, playing a different part for each trick.
I actually ran in junior high school a little bit, you know, like most kids do in track and things. Then I got out of it and just trained for football and played ball for so many years - high school, college and the NFL.
The first episodes I actually read for 'Downton,' Sybil was really intimidated and hadn't come into her own. So it's only in Series Two that she's become so headstrong. In general, I find it exciting to play strong, female roles because they're shock...
I don't think a man has to go around shouting and play-acting to prove he is something. And a real man don't go around putting other guys down, trampling their feelings in the dirt, making out they're nothing.
I think I've proven with my career that I can play a wide variety of characters. Yet, I still get typecast as the crazy slob guy. That's how it always works.
I want my list of works to be lean and mean and everything was urgent and had to be done. Nothing to play the market. My family’s had to suffer for that, that I haven’t done commercial jobs just to bring home the bacon.
I did a lot of community theatre and met a manager that worked out of Philadelphia, and she started sending me up to New York for auditions, and I got the part in a play at Manhattan Theatre Club when I was 15.
We were so fundamental that almost everything had been stripped away from the place of worship. Think of the role words can play, when all other enticements and sensual attractions are gone.
I played in Kent's triumphant Second XI Trophy final team last season, ironically against Hampshire 2nds at the Rose Bowl last September, finishing with 2-17 off six overs.
You try to get the feel of any role, but it's much more difficult in the case of Christ because everyone has their own personal image of Him. It's a role you take on, knowing that no matter how you play it, you are going to disappoint many.
The problem with the Moodies is not what to play, it's what to leave out! That's always difficult. We stopped having support acts many years ago just because of that. We needed getting on to two hours; there's such a big catalog to call on.
Left Behind takes what to some people may be unbelievable predictions from the Bible and shows how they might play out. It makes the events of biblical prophecy understandable and thus believable.
It wasn't my plan to create such a record. All I did was put in the effort to win every match I played and it went on for weeks, months and years until my defeat to Ross Norman in Toulouse in 1986.
I was very keen on squash. My father used to go to sleep in the afternoon. Normally, in Pakistan, everybody goes to sleep in the afternoon, because it's really hot. I'd go and play without telling anybody.
I'm not a method actor per se, but if I'm playing a character that, at its core of its persona, has experiences I don't have, I try to search out and get firsthand experiences of similar sorts so I have something to fantasize about.
When I signed up for Google Plus, my reaction after playing around with it for a little bit was like, 'Huh, I think Facebook should be scared.' In part, because it's a really elegant product. It's very fast.
Theatre is a game of hide-and-seek. For both the hiders and the seekers, the thrill is in the discovery. When the rules of the game are too vague or too complicated, however, the audience can lose its urge to play; the prize no longer seems quite wor...
I think that as I had children, I have five sons, and they got into video games and were the prime ages through the development of video games. It was so much fun seeing them play the games and seeing it through their eyes.
As a performing group, the Beatles began by playing old rock favorites, for dancing, to tough audiences in Liverpool and Hamburg. When they began writing seriously, they discovered that they couldn't compose in the early American rock tradition.
The Beatles never sounded intimidated by their idols. They never interpreted old rock; they simply played it as well and as joyfully as they knew how. On 'Rock 'n' Roll,' John Lennon does nothing but interpret old rock.
