Caden Cotard: [Giving a stage direction] People don't walk like that.
David St. Hubbins: They were still booing him when we came on stage.
Whatever basic science resolves, at some stage it is of use to society. The problem is we do not know when or where.
I put £150,000 into the stage production of Grease and have got back £1.5 million so far. It has been a fantastic success.
One of the things that has been truly incredible to observe though, is the amount of venture investment that has gone into early stage security technology.
I love looking out at 27 semis and being like, every single one of those semi trucks is there to put together my stage.
I love the theater. I love being on stage; I love the live audience. I also love dressing up and all of the make-believe.
I love watching live shows from different artists from different stages of their lives. I'm always interested in the mastery of the live performance.
I love the stage. It's terrifying in a way that film and television is not. When you're about to go out, and you're adrenaline just gets out of control, and that can be really daunting.
Many more people saw me on TV than will ever get to see me on stage, but I do love being in the same room as the people I'm telling the story to.
Music and dance influence my style in a lot of ways. Sometimes I go off to work dressed up like I'm going to hit the stage and perform.
I'm an entertainer. I get up on stage and I try to make people enjoy my music, and that political arena - I'm going to stay out of it, right out.
There is no 'perfect' in music. If I ever came off the stage and felt it could not be better, it would then be time to quit.
Mainstream media's representation, or its guerrilla decontextualization, of black men's lives in particular can set the stage for erroneous assumptions capable of damaging an individual or a nation.
It goes back to a style of moviemaking I remember seeing as a child, in movies like The Man With The Golden Arm, which I think was shot all on a sound stage.
As for radio and movies, I like the movies better, although the work is much harder. The cinema has microphone technique, staging, and glamour all wrapped up into one.
In my most psychotic stages, I imagine myself chewing on sidewalks and bulging and swallowing sunlight and clouds.
I'm actually sometimes nervous right before a performance, but as soon as I'm on the stage I'm like, 'okay, we're gonna rock this baby.'
There is also something called the Legislature. There is something called the press. There is something called people. These are all different players on the stage.
Juilliard definitely emphasizes the theater. They don't train - at all really - for film acting. It's mostly process-oriented, pretty much for the stage.
I have always used emotion as a writing tool. That goes back to me being on the stage.
