I never want to pigeonhole myself or get typecast. I'm looking forward to my career and showing all of my range as an actress, and I'm looking at other mediums, too. I'm a theater actress first. And I cannot wait to return to the stage.
I mean, I guess I realized subconsciously that this is what I should be doing before I realized it, consciously. Verbally, I don't think I had committed to it, even though I was driving everywhere, every night, just trying to get on stage.
There was this wonderful trick of going to the theater with my parents and sitting in the audience under the watchful eye of an usher, and then these other people would come on the stage: They spoke differently and had different clothes and hair. Aft...
Sometimes that mantle is hard to adjust to wearing but we are at a stage that we are comfortable with it and we recognize how we are perceived and how the real core individual that each one of us has apart from the facade that the public believes tha...
I did not see myself as a leading lady. I thought I was really funny-looking and I would never be the lead, and I certainly would never do film or television. I wanted to do theater. I wanted to be the grand dame of the American stage.
As I was coming up on the stage, there was one source that could make or break you, the New York Times. Inevitably there would be one actor singled out for a better review, or worse, than somebody else. The effect of that was cancerous, divisive.
I want to continually find ways to bring my ideas off the stage and into the real world, into the streets. I think I can make the world a better place, if only for a little while.
In London, before I set out, I had paid one shilling; another was now demanded, so that upon the whole, from London to Richmond, the passage in the stage costs just two shillings.
Every great scientific truth goes through three stages. First, people say it conflicts with the Bible. Next they say it has been discovered before. Lastly they say they always believed it.
As parents, we have the responsibility and the power to create a foundational love for nutritious foods that will influence our children's choices for decades to come, setting the stage for our children, grandchildren, and future generations to flour...
To place a man in a multi-stage rocket and project him into the controlling gravitational field of the moon where the passengers can make scientific observations, perhaps land alive, and then return to earth - all that constitutes a wild dream worthy...
A choreographer deals with the movement that you create, and with a creative director it's about the story, the stage, the lighting, the costuming, executing someone's idea, choosing how far to go or how little to go, and blending it so that you feel...
It was so strange. I knew that Josephine Baker had performed on the same stage but that night I felt it. Many of the same people who worked with Josephine Baker are still here. They know what they're doing. And that was a very comfortable feeling.
If you're going to be a fucking rock star go be one. People don't want to see the guy next door on stage; they want to see a being from another planet. You want to see somebody you'd never meet in ordinary life.
I'm more old school: I want to be like Keith Richards on stage. It's not interesting to see straight-from-runway clothes slapped on an artist. It's more interesting when you see people who have their own style.
When I'm up on stage, I don't think about anything except the song I'm singing. Anyway, the majority of my audience is female, and I can't think that many of them want to see me a French maid outfit somehow!
Every medium has its advantages and weaknesses and there are many things I can put down on paper that I might not be able to put into film or into a stage performance. In each form, one can communicate powerfully in different ways.
I won't complain about touring, because I really do believe that a public-figure musician complaining about being a public-figure musician is just absurd. Like, 'Boo hoo hoo! I have to stand on stage and people pay attention to me!'
You get those couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to di...
Because I am kind of distracted, I don't tend to sit at my desk 9 to 5. It can be two hours a day, or, when I'm in the final editing stages, it can be 14 hours a day.
When you're sick on the road, it's the worst. That's when you become the most vulnerable and neurotic. You become scared. If I had a cold or a chest infection, and I had to sing all those high parts, there was stage fright.
