Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It's part of acting.
For the three years I was in school training to be an actor, I was told, 'It's very unlikely you'll work at all on the stage or in film', so I feel I have to take all the opportunities I can.
That is one of the things about going on tour, that I get to work with some really talented people and it allows me to be able to listen to them as well - and just have fun on stage.
For me it was sort of career suicide to work in color, but I did it because I perceived myself from an early stage to be interested in seasonality - the changing of the seasons - that's what I deeply loved.
I work just as hard and have just as much fun whether in a 50-seat house or in a 1000-seat house. It's a luxury to be in a tiny space every once in a while and a rush to be on a giant stage every once in a while.
There are some sequences in films that I think work filmicly, that stand out to me, but that's much more to do with the staging and the cutting and the mood of the thing as a sequence, the way everything comes together.
And although I've been very fortunate in the film work that's come my way, I need to get back to the stage. If I'm away for a maximum of two years, I feel something's wrong.
I keep returning to the central question facing over-50 women as we move into our Second Adulthood. What are our goals for this stage in our lives?
It is a kind of ego booster, the way Egypt's winning the 1973 war, in the first stages, was an uplift. But I did not find when I spoke to people that the war in Iraq was seen as the major issue in American-Arab relations.
Stop playing hard to get" "I'm hard to get. I'm not playing.
Everybody is playing games. There are games now for pretty much every age, every demographic.
I always wanted to play music and have it be my career and knew this by the age of 12.
You can't play a symphony alone, it takes an orchestra to play it.
Whom the gods love dies young
He (LBJ) played on their fears as he played on their hopes.
Whatever role you play, play it to the hilt.
Every man plays many roles. So far, I have played father the best.
The benefit is competition, the thrill of playing in the Olympics, being an Olympian, playing against the best.
Je ne dois qu'à moi seul toute ma renommée." ( )
To play a wrong note is insignificant; to play without passion is inexcusable.
Yes, Pluton, actually, in the play. And I play him in my most stentorian voice.
