I'm leaving the screen because I don't think I am very good in the pictures and I have this beautiful dream that I'm elegant on the stage.
I always considered myself being an organizer. I'm very good at teaching singers, I'm very good at staging a show, to entertain people. But I never included myself. I never applied this to me as an artist.
If the gig's going really well, I'm incredibly happy on stage and really feel good about my life and things.
I can't eat before I go onstage because I've learnt that burping on stage isn't a good thing. It's all about acid reflux.
I think at some stage, I would love to have another child. I would love to settle into a relationship that was really important to me. I actually am not good at the balance at that.
I would love to do more on the stage; having actual contact with the audience is great. You can give them a good seeing to!
I bring people on stage with me. It's a good time, and people love to join in on the party. Show me a smile, and I'll show you one back.
Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.
Ruzzle's my therapy. When I get off the stage from a packed show and I'm exhausted, I'll just go Ruzzle for like a good 30 minutes.
Stage fright is my worst problem. A voice is very intimate. It's something of your own. So there's always this fear, because you feel naked. There's a fear of not reaching up to expectations.
I have this system. I torture my husband and everyone around me with my nerves and anxiety. Then, when I get on stage, the fear is gone. I've exhausted myself. It just dissipates.
Every night when I go out on stage, there's always one nagging fear in the back of my mind. I'm always afraid that somewhere out there, there is one person in the audience that I'm not going to offend!
I was fooling everyone by surrounding myself with funny people. But then I put myself out there - writing my own sketches, going on stage with nobody surrounding me - and for some reason people were still laughing.
When I was a kid, I never did funny things to get attention. I was never a funny person. I was never, like, 'Oh, wow. I could say this some day on stage.'
The trend of all knowledge at the present is to specialize, but archaeology has in it all the qualities that call for the wide view of the human race, of its growth from the savage to the civilized, which is seen in all stages of social and religious...
There's a point you get to on the stage where you're not remembering lines but living them, and you reach this pure moment which, really, is more intense than what you can achieve in life.
What is that song that Willie Nelson sang? 'Oh, the days dwindle down to a precious few.' I think of that. No big deal. I've reached a stage in my life where I am content.
I can do everything with ease on the stage, whereas in real life I feel too big and clumsy. So I didn't choose acting. It chose me.
Absolutely, it's a really weird stage because at the minute, I can walk down the street and be unrecognised, lead a normal life, but my label and everybody is warning me that will be changing and I'm in for a rollercoaster ride.
Stages of life are artifacts. Adolescence is a useful contrivance, midlife is a moving target, senior citizens are an interest group, and tweenhood is just plain made up.
Mainly, the more faddish and newer stages of life are really just marketing schemes. Tweenhood. The young old. The quarter-life crisis.
