I started speaking about what I was dealing with through my music, and 4 million women responded and said, 'Us too, Mary.' And I didn't know that everyone was hurting like I was hurting. I had no idea.
Matt Weiner is very perceptive; there's something about the rhythms and the way people speak that is very authentic to the actor. But there are qualities that are dissimilar. The characters on 'Mad Men' are struggling with pretty profound unhappiness...
We say nothing essential about the cathedral when we speak of its stones. We say nothing essential about Man when we seek to define him by the qualities of men.
There are those who maintain that in this world women have no right to interfere in the affairs of state, in politics, in plots and counter-plots. Others that are who, more chivalrous, are willing to admit that women have as much right to act, think,...
It is true that they paid much more attention to the trade unions because the trade unions were after all speaking for the rights and conditions of working men and women in their employment.
I prefer to speak of 'interdimensionals' rather than 'extraterrestrials' because the latter has connotations of 'little green men' and all the other cliche responses. Nor does it tell the full story.
The men are walking. They are fifty feet apart, for dispersal. Their walk is slow, for they are dead weary, as you can tell even when looking at them from behind. Every line and sag of their bodies speaks their inhuman exhaustion.
If I may use such a word when I am speaking of religious subjects, it is by voice and words that men 'mesmerize' each other. Hence it is that the world is converted by the voice of the preacher.
I am not telling men to step away from speaking for women's rights; rather, I am focusing on women to be independent to fight for themselves.
We did not speak in terms of strategy, in terms of overall economies, in terms of production and territorial conquest. We spoke of the impact of the bomb on the homes and the hopes of men and women.
Public opinion is a permeating influence, and it exacts obedience to itself; it requires us to drink other men's thoughts, to speak other men's words, to follow other men's habits.
I think people assume I only do light things because of the movies that are like 'Hairspray' and 'John Tucker Must Die.' But I think it's all just based on material that I really like and that speaks to me.
You won't find me in a romantic comedy. Those movies don't speak to me. People don't come to talk to me about those scripts, because they probably think I'm this dark, twisted, miserable person.
Dr. Pretorius: [speaking of his Devil creation] He bears a strong resemblance to me, don't you think? Or do I flatter myself?
The Monster: [Speaking to Frankenstein and Elizabeth] Go you live [turning to Dr.Pretorius] The Monster: You stay we belong dead.
Riggan: [speaking to Mike as he walks into a bar] Where are you going? Mike Shiner: They have coffee here.
[after speaking with Nicholson and Saito, neither of whom will relent] Major Clipton: Are they both mad? Or am I going mad? Or is it the sun?
Philip Marlowe: [speaking into the phone] Bernie? This is Marlowe. I got some more red points for you. Chief Inspector Bernie Ohls: Who is it this time?
Love need not speak volumes. It need not demand proof. It never has a happy ending - simply because it doesn't end as long as love is pure and true”.
I did my first movie, 'The Mambo Kings,' in America without speaking the language. I learned the lines phonetically. I had an interpreter actually just to understand directions from my director.
If you learn the language of loss early, I think you seek out others who have experienced the same thing, who speak that same language of loss.
