Usually when I'm out doing stuff, I'm just out in the wild, doing the wild thing. I don't really get a chance to just chill out until I come here, in my creative space.
Firstly I did it in this huge theatre in Avignon, then to smaller places, then bigger places. You have to change the volume of the voice, give more or less. The way you have to relate to space makes it like sculpture.
We have to have a combination of general relativity that describes the warping of space and time, and quantum physics, which describes the uncertainties in that warping and how they change.
I've been asked a lot why didn't 'Ruined' go to Broadway. It was the most successful play that Manhattan Theatre Club has ever had in that particular space, and yet we couldn't find a home on Broadway.
When someone tells me, 'Oh, we have so many problems on Earth; space exploration costs too much money,' I say, 'I absolutely agree with you. But I still hope we do it.'
Politics can be relatively fair in the breathing spaces of history; at its critical turning points there is no other rule possible than the old one, that the end justifies the means.
I'm really looking forward to it, if you can imagine floating weightless, watching the world pour by through the big bay window of the space station playing a guitar; just a tremendous place to think about where we are in history.
I actually think that history has fed off the restlessness of cyber space, of kind of the frantic, segmented nature of the way we lead our lives. People want to be connected.
Our imagination just needs space. It's all it needs, that moment where you just sort of stare into the distance where your brain gets to sort of somehow rise up.
But by providing the background picture - the universal situational awareness that we desire - by showing the anomalies, the Space-Based Radar will change the nature of how we do our analysis and our intelligence.
I've come to a view that humans will continue to do what we do well, and that computers will continue to do what they do very well, and the two will coexist, but in different spaces.
Especially in the car ride to and from gym. I find myself spacing out a lot, just visualizing what the Olympics would be like and just having such great role models.
If you are a writer you locate yourself behind a wall of silence and no matter what you are doing, driving a car or walking or doing housework you can still be writing, because you have that space.
Going back to the moon is not visionary in restoring space leadership for America. Like its Apollo predecessor, it will prove to be a dead end littered with broken spacecraft, broken dreams and broken policies.
I have marvelous dreams! I meet Buddha, I meet Jesus, I meet Mohammed. I constantly dream of space, stars and planets: we are the children of stardust.
I'll tell you this: You have to remember to chase and catch your dreams, because if you don't, your imagination will live in empty spaces, and that's nowhere land.
I would go to bed every night and have dreams about having a time machine and somehow I'd have the ability to move through time and space freely, and save Anne Frank.
With everything that I design, from a church to a plate to skyscraper to a spoon. I am always thinking about voluptuous volumes and spaces.
Work takes up a lot of my brain space. So when I work, it's one thing. I don't have a lot of time to think about dating.
Supremely, spiritual directors/mentors/pastors are persons who have a sense of being 'established' in God. Otherwise they are too dangerous to be allowed into the soul space of others.
I steal props from 'SNL' a great deal. Almost every sketch I'm in, I try to grab something from it, so I have a storage space full of props.
