Jasper Sitwell: What do you want? Sam Wilson: You're gonna go around the corner to your right. There's a gray car two spaces down. You and I are gonna take a ride. Jasper Sitwell: And why would I do that? Sam Wilson: Because that tie looks really exp...
[first lines] Title Card: In the near future: Corporate networks reach out to the stars, electrons and light flow throughout the universe. - The advance of computerisation, however, has not yet wiped out nations and ethnic groups. Dispatcher: [on rad...
Samantha: You know, I actually used to be so worried about not having a body, but now I truly love it. I'm growing in a way that I couldn't if I had a physical form. I mean, I'm not limited - I can be anywhere and everywhere simultaneously. I'm not t...
Josef Fischer: Life and death. Space and time. Fate and chance. Theses are the forces of the universe. Tonight, ladies and gentlemen, I present to you a man who has unlocked these mysteries. From the furthest corners of the world where the dark arts ...
Old Woman: Some of those stars have been burnt out for a long, long time. They're dead, but once they were so bright that their light is still travelling through space. We can still see them. Thomas: How can you tell which one is dead and which one i...
Peter Gibbons: Let me ask you something. When you come in on Monday and you're not feeling real well, does anyone ever say to you, "Sounds like someone has a case of the Mondays?" Lawrence: No. No, man. Shit, no, man. I believe you'd get your ass kic...
Nina: Now Milton, don't be greedy, let's pass it along and make sure everyone gets a piece. Milton Waddams: Yeah, but last time I didn't receive a piece. And I was told... Nina: Just pass. [while the cake passes Milton mutters - eventually everybody ...
Peter Gibbons: Hey, guys. Michael Bolton: What's up, G? Peter Gibbons: Want to go to Chotchkie's? Get some coffee? Samir: Oh, it's a little early. Peter Gibbons: I gotta get outta here. I think I'm gonna lose it. Female Temp: Uh-oh. Sounds like someb...
[first lines] Pink: [singing] So ya, thought ya might like to, go to the show. To feel the warm thrill of confusing that space cadet glow. Tell me is something eluding you sunshine? Is this not what you expected to see? If you wanna find out what's b...
Clarence Boddicker: I don't think I want to pay that, Sal. Sal: I don't give a shit what you want to pay. I set the prices here. Clarence Boddicker: Listen, pal, maybe you haven't heard. I'm the guy in Old Detroit. You want space in my marketplace......
Kyoami: A serpent's egg is white and pure. A bird's is speckled and soiled. Hidetora: This is a castle... Here's a wall. Kyoami: The bird left the speckled egg for the white. Hidetora: Strange... Kyoami: The egg cracks; out comes a snake. Hidetora: E...
Eli: What'd you say? Richie: Hmm? Eli: What? Richie: I didn't say anything. Eli: When? Right now? [a pause] Eli: I'm sorry, don't listen to me. I'm on mescaline. I've been spaced out all day. Richie: Did you say you're on mescaline? Eli: I did, indee...
Lloyd Dobler: Okay, how ya doing? I'm Lloyd, and we're gonna watch the movie "Cocoon." I've never actually seen it, but I heard it's very good, it makes you happy, thats a good thing. It's about a group of older people who go to outer space... hope I...
James T. Kirk: [Kirk's HUD breaks midway through his space-jump] Spock my display is down, I'm flying blind. Spock: Captain, without your display compass hitting your target destination is mathematically impossible. James T. Kirk: Spock if I get back...
[to Jessie] Buzz Lightyear: Uh, ma - ma'am? I, uh, um, well, I just wanted to say you're a bright young woman with a beautiful yarn full of hair. A hair full of yarn. It's ah... um... I must go. Jessie: [brings him back] Well aren't you just the swee...
Jeff Megall: Sony has a futuristic sci-fi movie they're looking to make. Nick Naylor: Cigarettes in space? Jeff Megall: It's the final frontier, Nick. Nick Naylor: But wouldn't they blow up in an all oxygen environment? Jeff Megall: Probably. But it'...
Narrator: For Tom Hansen, this was the night where everything changed. That wall Summer so often hid behind - the wall of distance, of space, of casual - that wall was slowly coming down. For here was Tom, in her world... a place few had been invited...
Ripley: Will you listen to me, Parker? Shut up! Parker: Let's hear it. Let's hear it. Ripley: It's using the air shafts. Parker: You don't know that. Ripley: That's the only way. We'll move in pairs. We'll go step by step and cut off every bulkhead a...
Dallas: Now, this air shaft may work to our advantage. Here. It leads up to and comes out in the main airlock. All right, there's only one big opening along the way, we can cover that up, and then we... drive it into the airlock and zap it into outer...
Nina: Lester? Lester Siegel: Nina, you look fabulous. You're doing the reading? Nina: I'm playing Serksi, the Galactic Witch. Lester Siegel: Great. I'll call you. [walking away from Nina, talks to John] Lester Siegel: Keep that fucking space witch aw...
Marty McFly: That's right, Doc. November 12, 1955. Doc: Unbelievable, that old Biff could have chosen that particular date. It could mean that that point in time inherently contains some sort of cosmic significance. Almost as if it were the temporal ...
