Back in 2007, I had the opportunity to meet Professor Stephen Hawking through the X PRIZE Foundation. In my first conversation with him I learned that he was passionate about flying into space someday.
That's what is always fascinating about racism - how it is allowed, if not encouraged, to flourish freely in public spaces, the way racism and bigotry are so often unquestioned.
You can only fit so many words in a postcard, only so many in a phone call, only so many into space before you forget that words are sometimes used for things other than filling emptiness.
In the theatre, because you're all looking at the same thing in the same space, consciousness is no longer individual. There is a unified consciousness. Until you look and project what is happening, it doesn't exist; the audience are the ones making ...
Public intellectuals come from a range of areas and use their expertise to comment more widely than just their field. They want to make a contribution to public space, and they stick their necks out to do it.
It seems that 'rocket scientist' is a job category that's here for the long haul, like 'mortician.' But all this activity masks an important point: rockets are not a terribly efficient way to lift things into space.
I lived in Dallas, and it's a big city, but you can jump on any freeway and drive in any direction for about 30 minutes and you are in the country - open space, wide open, very open, nothin' around.
I think boredom is the beginning of every authentic act. (...) Boredom opens up the space, for new engagements. Without boredom, no creativity. If you are not bored, you just stupidly enjoy the situation in which you are.
I think, from a standpoint of editorial, you know, AOL historically has played in a very deep way across many different verticals in the content space. Huffington Post adds a very large new dimension to that.
Bebo has an opportunity to prove its products and services. Bebo plays in a very competitive space; it has big market share in specific countries. An AIM profile vs. a Bebo profile are very different experiences.
What you hear is southern Michigan, not a drawl, but a halting kind of speech where you leave spaces when there shouldn't be any. We take a breath anywhere.
In a Transtromer poem, you inhabit space differently; a body becomes a thing, a mind floats, things have lives, and even non-things, even concepts, are alive.
Writing is always a restorative process. It's like paddling a kayak. When you're writing, you can't do anything else. You're in the space you're in. So, in that way, it's enormously centering and restorative.
Books must be treated with respect, we feel that in our bones, because words have power. Bring enough words together they can bend space and time.
You've got to stop and ask yourself once in a while...why some asinine politicians would quicker cut out social security than the space program...Go figure.
In short stories there's more permission to be elliptical. You can have image-logic, or it's almost like a poem in that you can come to a lot of meanings within a short space.
I think people like to be thrilled and excited. And a scary movie is a safe way to do that because you're not actually doing it. It's entertainment. You know that you're in the confines of this two-hour space of safety in the movie house.
Forgetting takes space./Forgotten matters displace/as much anything else as/anything else. We must/skirt unlabeled crates/as thought it made sense/and take them when we go/to other states.
Each black hole spins on its axis like the Earth spins. That spin creates two vortexes of twisting space, somewhat like vortexes in a bathtub or a whirlpool.
The problem with being a film actress or a movie star is that people see you so huge that somehow you're visually massive or somehow you're in some removed space, which is a television or wherever. It somehow takes your humanity.
I go to Australia probably once every two years. It's wide-open spaces there, so I just rent a motorcycle and ride out to the middle of the continent. For hours, you don't see anybody.