Bill Lumbergh: Oh, oh, and I almost forgot. Ahh, I'm also gonna need you to go ahead and come in on Sunday, too...
Lawrence: [shouting through the wall from his apartment] Hey Peter, man, check out channel 9, check out this chick.
Peter Gibbons: What if we're still doing this when we're fifty? Samir: It would be nice to have that kind of job security.
Homer: No. Coal mining may be your life, but it's not mine. I'm never going down there again. I wanna go into space.
I mean, money people are usually quite brisk, but mine aren't, and they keep on giving me spaces so that I've been able to go on and do plays and films.
The melded nature of space and time is intimately woven with properties of light speed. The inviolable nature of the speed of light is actually, in Einstein's hands, talking about the inviolable nature of cause and effect.
When man becomes reconciled to nature, when space becomes his true background, these words and concepts will have lost their meaning, and we will no longer have to use them.
A monkey is unaware that atoms exist. Likewise, our brainpower may not stretch to the deepest aspects of reality. The bedrock nature of space and time, and the structure of our entire universe, may remain 'open frontiers' beyond human grasp.
We shall probably never attain the power of measuring the velocity of nervous action; for we have not the opportunity of comparing its propagation through immense space, as we have in the case of light.
We are all, in a sense, experts on secrecy. From earliest childhood we feel its mystery and attraction. We know both the power it confers and the burden it imposes. We learn how it can delight, give breathing space and protect.
I think it comes from really liking literary forms. Poetry is very beautiful, but the space on the page can be as affecting as where the text is. Like when Miles Davis doesn't play, it has a poignancy to it.
I have values. But morals are Christian. There's no religion here. Values. Don't hurt when you don't need to, but don't let anybody step over that line - it's an invisible line, but it's respect for somebody's space.
If I can get some student interested in science, if I can show members of the general public what's going on up there in the space program, then my job's been done.
If I had unlimited funds, wall space and storage, I would collect a lot more things, like 'Planet of the Apes,' 'Star Wars,' science fiction stuff, autographs, and prop guns and weapons. I have to draw the line somewhere.
Sending people into space is very important culturally. That's really the justification. You cannot rationally justify it on the basis of the science and technology we get out of it.
Physics is often stranger than science fiction, and I think science fiction takes its cues from physics: higher dimensions, wormholes, the warping of space and time, stuff like that.
There is a fifth dimension, beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition.
The mysteriousness and mystique of space is such, that science fiction attempts to tantalize you by telling you a story that could possibly be out there and that's the appeal of science fiction.
I think that certainly the artists of the '40s, '50s and '60s were fighting a very conformist society, which didn't give them enough space to live or create, and they were bucking all kinds of spoken and unspoken rules.
It's true that I love to connect with my fans on the social networking sites, but I try not to go overboard, ever. I just give people a peek into my mind space, but never bombard them with my tweets.
One day I would love to do rock a gig on the moon - how rad would that be? Isn't Richard Branson flying planes to outer space? Motley Crue could be the first band to play on the moon.
