I write flawed characters. Ones that do not always make the best decisions and are driven by ambition or lust. They are not black or white, they are in the large space that exists between.
I see myself traveling; I see myself with a much bigger living space than I do have right now. I see myself hopefully on a tour bus at some point.
When gravitational waves reach the earth, the waves stretch and squeeze space. This is a tiny stretch and squeeze. Far too small to detect with ordinary human senses.
I dress like a 7-year-old space pilot. I have clothes that I still wear regularly from high school.
The wings are moved several times by hand to charge the crank chamber with mixture, which flows on through the external pipe and inlet valve to the compression space and cylinder.
I am grateful to the motherland and the people. I feel honored to fly into space on behalf of hundreds of millions of female Chinese citizens.
I'm holding a super-expandable energy-powered towel. I've made friends with space hamsters. I think we've stretched believability rather far, don't you?
Starbucks is the last public space with chairs. It's a shower for homeless people. And it's a place you can write all day. The baristas don't glare at you. They don't even look at you.
Everything's got space between it, the planets, trees, your eyes. Your eyes get too close together, it's a whole different world. You can lose perspective.
In writing, the point is not to manifest or exalt the act of writing, nor is it to pin a subject within language; it is, rather, a question of creating a space into which the writing subject constantly disappears.
Canada has made a strong commitment as a partner in the International Space Station and, like the other partners, wishes to see the assembly of this unique orbiting laboratory continue.
I appeared on a show with Jonathan Harris on it-the Bill Dana show-even before Lost In Space. Someone gave me a tape of it in the past year, but in all these years we hadn't remembered.
I couldn't have left my career as an actor on a better note than to have done a cameo in the Lost In Space movie. Doing this part is the highlight of my career. What a way to leave the profession!
To quit religion is to start walking in the space! Don’t be afraid, you don’t fall into the void, because you can hold onto God and science!
Blu-ray and the technologies emerging around it are the premiere format for reproducing what we do as filmmakers. There's more space on the disc, more bit rate.
A lot of the moves I make originate from futsal. It's played in a very small space, and the ball control is different in futsal. And to this day my ball control is pretty similar to a futsal player's control.
My dream has always been to suspend myself in space when I write, and lying horizontal in bed is the closest to doing that.
The bigger my chest is, the more it gets in the way. It just creates space. It makes me much more efficient if I don't have so much in the way between me and my opponent.
I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.
Now on the other hand, if someone is selling a product, opening a dance studio, or has some other aim to help themselves, then I tend to look askance at some of these strange stories from outer space.
You're torn between wanting to fill in all the spaces and knowing that's really going to screw up the screenplay. And yet, how are you going to communicate it to people who really don't understand the process?
