Max: He's got to at least *pretend* to work with these people. You must convince him. Maria: I can't ask him to be less than he is.
Liesl: [singing with the children at the Villa] So long, farewell, au revoir, auf Wiedersehen! I'd like to stay and taste my first champagne. Yes? Captain von Trapp: No!
Maria: [saying her bed time prayers] I forgot the other boy. Oh, what's his name? Oh, well, God bless What's-his-name.
Captain von Trapp: [after pulling the gun from Rolfe] You'll never be one of them. Rolfe: Lieutenant! Lieutenant, they're here! They're here, Lieutenant! [blows whistle]
Max: I like rich people. I like the way they live. I like the way I live when I'm with them.
Max: I hope you appreciate the sacrifice I'm making. Captain von Trapp: You have no choice. Max: I know... That's why I'm making it.
Probably my favorite piece of music, as an album taken as a whole, is Bruce Springsteen's 'Greetings from Asbury Park.' I just think it's incredibly pure. It's a sound that sort of broke new ground, and I think it paved the way for a hundred people t...
Usually one or two things happen: Either you have an idea straightaway - the sort of sound that you want or the instrumentation or one particular sound that you want to feature - or you don't.
These are bagpipes. I understand the inventor of the bagpipes was inspired when he saw a man carrying an indignant, asthmatic pig under his arm. Unfortunately, the man-made sound never equalled the purity of the sound achieved by the pig.
What I try to do with the accent of any character I play is not necessarily to do something that's generic - an Indian accent and that's how it sounds, for example. I think the accent needs to sound authentic on this person.
I usually create sounds and have different generators running over it. You know you can open a word-file as a picture or the other way round. I do the same with sounds.
I'm better for it and I prefer to keep things simple and see what sounds I can get out of my head and hands rather than relying on a sound that someone else created.
Somebody said I sound like an old lady, and I was really insulted by that. I'm trying to sound like Skip James and Smokey Robinson and Marvin Gaye.
I'm tired of the music industry these days! They polish everything until it no longer sounds real. The raw uncut sound is something I think no genre but alternative and Aerow music retain.
I prefer people to say to me, 'You're one of my favorite actors,' rather than 'You're one of my favorite character actors.' It sounds like a slam. At least it sounds that way to me.
All of audio as we know it is an attempt to be more and more perfectly linear. Linearity means higher quality sound. Hypersonic sound is exactly the opposite: it's 100 percent based on non-linearity.
I am not that thrilled about the way our records sound anyway. Don't get me wrong, I work hard on them and I want them to sound fantastic but I'm happy to have another interpretation of them anyway.
When I was little, I was out riding my brand-new blue bicycle when I decided to see how far I could keep going without looking back even once. I could feel with my back how my neighborhood was receding, further and further away... but I kept pedaling...
Dory: [about the humpback whale] Maybe he only speaks whale. [slowly and deeply, imitating the whale] Dory: Mooo... Weeee neeeed... Marlin: Dory? Dory: ...tooo fiiind hiiis sooon. Marlin: What are you doing? Are you sure you speak whale? Dory: Caaaan...
Life's to short to spend it fighting when you could be holding the one you love. And love's to rare to squnder it with petty concerns." The Apolloite groom to Rafael
I vote, I challenge Bathymaasy and we shoot arrows at you dearest brother." Artemis Set and Bathymaas laughed. Apollo, not so much.
