A band like Depeche Mode would go out and record them hitting a trash can with a steel rod or something and recording it. And that would be one of their sounds of the drums. I love the creativeness of that kind of really raw sampling.
If someone talks about union, fidelity, a monogamous relationship, love, blessing; I would say it sounds like marriage to me. And blessing, you see, I think is undermining our sacrament of marriage.
'The Larry Sanders Show,' it's actually about love, which would sound like a paradox at first. But if that love didn't exist, the darker attitudes would not play. You would have a one-dimensional, cynical show, which I don't think the show was.
When I was 16 or 17 I heard the Count Basie band with Jo Jones and Lester Young and Herschel Evans and I couldn't believe it. They were the greatest swing band. I really fell in love with that sound. Everybody danced!
The ocean is 20 minutes away. Nature surrounds me 24/7. I wake up to the sounds of birds chirping. I also love that I can go out to dinner in jeans and flip-flops.
I love the sea's sounds and the way it reflects the sky. The colours that shimmer across its surface are unbelievable. This, combined with the colour of the water over white sand, surprises me every time.
What I love about the creative process, and this may sound naive, but it is this idea that one day there is no idea, and no solution, but the next day there is an idea. I find that incredibly exciting and conceptually actually remarkable.
Without sounding overly sentimental about the process, I'd say trying to describe how you tend to conceive of a book is like describing how you tend to fall in love.
I know I love sexy surf guitars, I know I love loud snare. I love really simple repeating bass lines, and I love weird mad scientist keyboard sounds.
Do what you love; you'll be better at it. It sounds pretty simple, but you'd be surprised how many people don't get this one right away.
The sound was my greatest concern. There were certain difficulties getting used to the way every musician can hear his or herself, the way each of them relates to the musician in the next seat.
I hate to sound esoteric, but there is something about a house that leads you to that one chair, that one corner, where you just sit and feel comfortable.
There was a scene cut out of 'Big Fat Liar' (2002) where I had to wear a dress. This may sound kind of weird, but I really enjoyed shooting that scene.
I think now, more than anytime I can remember, bands are sounding pretty similar whether they're English or American, from Manchester or London... or Leeds or Welsh or Irish.
Like, Mission Of Burma to me always sounded almost like they were part of the British Arty New Wave. I kind of like that. I like not being able to tell the difference.
Listening to others does not mean you should sound like them; find your own voice by telling stories as authentically as possible.
You're always going to sound like yourself, but you can make really strong attempts to keep some similarities, but move away from what you did before for popularity's sake.
I'm better suited to be a director, I think. I see myself as the general author. I hate the word 'auteur,' because it sounds so solitary when filmmaking is anything but solitary.
In fact, I had to make an enormous adjustment to this, not only in listening to it but in playing with it. It's a full sound. In some instances, you must have the volume to get the effect.
I'm not trying to sound like I turned into some kind of wise man, but it's nice to realize that your little pocket of the world isn't the whole world.
I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
