When I started 'Record Collection,' I had no idea that it would come out sounding the way that it did, and that's one of the best things about the creative process, taking turns with the things you didn't know.
I had a vision how it should sound and I put all my knowledge into this product and it is a fantastic product. People still tell me that I have the best musical thing there.
One thing we were looking for from the start was players who really fit together, who sounded in tune.
If I make a song where I'm happy, I sound completely mad - I think my voice is better-suited for sadder songs.
You can't, in sound morals, condemn a man for taking care of his own integrity. It is his clear duty.
It was rehearsing in the studio, at which point they were setting up the sound, and once we'd got the thing together they'd actually record it, without us knowing sometimes!
I don't want to interview people. I want to have a conversation. I want to talk to Paul McCartney about the bass sound on 'The White Album.'
With Crazy Horse, it's all one big, growing, smoldering sound, and I'm part of it. It's like gliding, or some sort of natural surfing.
Shows were very different then - even as the headliner we did a very short set by today's standards and sound systems were really primitive. But the girls made it all worthwhile!
The way they had the room that I was in set up, there was some sort of sound deadening platform that I had to stand on in order to get close enough to the microphone.
People who share the same language, French or Chinese or whatever, have the same vocal cords and emit sounds which are basically the same, as they come from the same throats and lungs.
I kept listening to albums where I'd hear this very joyful sound - and it was always the glockenspiel. Then I ordered one online, and I figured out how to play it.
It sounds mercenary and it smacks of rats leaving the sinking ship. But get real, when everyone is bailing out, you don't want to be the last man standing.
We suspect Dr. Clutterbuck's sense of hearing must be injured: for him the 'ear trumpet' magnifies but distorts sound, rendering it less distinct than before.
I'd never try to be that distinctive from the Bee Gees' sound. I'm very proud of being a Bee Gee and am always aware that I'll be identified as a Bee Gee.
I was considered a comedy magician. And - how do I put this without sounding egotistical? - it didn't take me long to realize that comedy magicians usually couldn't do comedy or magic.
A new era in the physiological investigation of linguistic sounds was opened up by X-ray photography.
In poetic language, in which the sign as such takes on an autonomous value, this sound symbolism becomes an actual factor and creates a sort of accompaniment to the signified.
I feel like the original 'Mad Max' created such a vivid world, that to go back and re-imagine it and kind of replay in that sandbox sounds like fun to me.
I drink tons of water. It always sounds like the lamest thing, but there's a reason you keep hearing this over and over again. It really works.
Singing in Hindi is nice but restrictive. Regional languages are more rhythmic, have a different tone and sound, making it more interesting.
