[Marcel is beating up a sound technician] Shosanna Dreyfus: [brandishing an ax] Bring that fucker over here!
Batman: Bruce Wayne? Uh... who's that? Sounds like a cool guy.
Ellis: He's not dangerous. Neckbone: [sighs] Sounds like a shitload of state troopers thinks differently.
Harmonica: When you hear a strange sound, drop to the ground.
Dutch: [directing his team into the jungle] We move, five meter spread, no sound.
Apollo Creed: Apollo Creed vs. the Italian Stallion. Sounds like a damn monster movie.
I don't even know what sound is, much less what it's for. It isn't to make money that's for sure. I've never made any.
A system of capitalism presumes sound money, not fiat money manipulated by a central bank. Capitalism cherishes voluntary contracts and interest rates that are determined by savings, not credit creation by a central bank.
We can't afford big symphonies but we commission works that sound rich and symphonic because of the nature of the instrumentation and the people we work with.
Sony could have $50 million and a sound stage and A-list actors and never make the same film. The constraints on this film became the essence of this film, became the power of this film.
As a jazz musician, you have individual power to create the sound. You also have a responsibility to function in the context of other people who have that power also.
The phrase 'off with the crack of the bat', while romantic, is really meaningless, since the outfielder should be in motion long before he hears the sound of the ball meeting the bat.
Without sounding overly pompous about it, I don't really trust certainty in anything, actually. Especially as I get older. Except love. I'm certain of love, I guess.
One of the billions of things I love about Beyonce: The harder she tries to come on crazy, the less crazy she sounds.
I love music and I enjoy creating sounds. I got into making music when I was a child, starting with the spoons and the koto before moving onto the piano.
I have mainly come from a theatre background, I did 'Oliver' here I played the Artful Dodger and I did 'The Sound of Music.'
When you are accompanied by the instrument - on an instrument like the lute-the lute and voice - you have this sound, and you feel how the music can be so touching and yet so simple.
I could read music and sing all the right notes at the right time. And over time, I literally found my voice, found a way to make sound.
Those who have virtue always in their mouths, and neglect it in practice, are like a harp, which emits a sound pleasing to others, while itself is insensible of the music.
Somewhere along the line the rhythms and tonalities of music elided in my brain with the sounds that words make and the rhythm that sentences have.
There's something so wonderful about writing in rhyme where it isn't just the meaning of the words, it's the music to the words and the shape and the sound.
