I used to wake up at 4 A.M. and start sneezing, sometimes for five hours. I tried to find out what sort of allergy I had but finally came to the conclusion that it must be an allergy to consciousness.
I did about 2000 covers altogether, for all sorts of books - from Shakespeare to James Bond - and I always had the idea that I must give 100%, no matter who the author was.
I have this certain vision of the way I want my comics to look; this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.
Quand je lis un livre, j'y mets toute mon imagination, de sorte qu'en ce sens la lecture ressemble un peu à l'écriture; ou plutôt c'est comme si je vivais ce que je lisais
Reed College required a thesis for a Bachelor's degree. Normally a Bachelor's is sort of like being stamped 'Prime US Beef.' They just walk you through, hand out the diplomas and you fill in your name later on.
I don't even think whether I play the blues or not, I just play whatever feels right at the moment. I also will use any gadget or device that I find that helps me achieve the sort of sound on the guitar that I want to get.
I do feel very strongly that this is one of the things which people need encouragement to sort out, because I have this very strong feeling that everybody is probably a genius at something, it's just a question of finding this.
When I'm not painting, I'm Oujia-boarding with my photos. I'll sort through my pictures, put them in different folders, and come back months later to one in particular and try to figure out why I took it.
The 1970s - I was ten in 1975 - were a bad decade in all sorts of ways but the middle class had comfortable assumptions about the prospects for its children. The middle class was smaller then; it was a much less competitive Britain, less meritocratic...
I am hopelessly devoted to paper. Nothing against e-readers of any sort - anything that keeps people reading is okay by me - but I am not, historically, an early adopter of such things.
Sometimes, what's not said is just as important to the writing as what is said. As a writer, we have our voices heard. I think that, at oftentimes, the ability to allow the dialogue to recede properly into the world of the film is also a really valid...
People always ask what a book is about, as if it has to be about something. I don't want to write books that lend themselves to that sort of description. My books are more a kind of breaking-down.
God, A Poem 'I didn't exist at Creation, I didn't exist at the Flood, And I won't be around for Salvation To sort out the sheep from the cud- 'Or whatever the phrase is. The fact is In soteriological terms I'm a crude existential malpractice And you ...
I didn't make a 147 until few years ago - I just wasn't the sort of player who went for them. But it's like buses I suppose, one comes along and then a few more follow.
I have friends who are in the posh category and some who are in the not-at-all-posh category, and some who you would find it very hard to get any sort of handle on. But I am lucky to have any friends, of course.
I'm not sure what 'coming out right' means. It often means that what you do holds a kind of energy that you wouldn't just put there, that comes about through grace of some sort.
I'm not a method actor per se, but if I'm playing a character that, at its core of its persona, has experiences I don't have, I try to search out and get firsthand experiences of similar sorts so I have something to fantasize about.
Young people in my generation were sort of in lockstep, and it wasn't just the '40s, either. In the '30s and in the '50s it was the same. No one ever dropped out unless he got sick or got kicked out.
For years, I sort of would try to write a story that somehow fit the title. And I don't think it happened for maybe another four years that I actually thought of a story, the plot of a story that corresponded to that phrase.
'Coriolanus' has been around for 400 years, and it's going to be around for another 400 years, and nothing I can do is going to mess it up. So, going into it, I felt sort of very free to look at it as a filmmaker does.
I love and always have loved policy issues and trying to have an impact on the issues that are out there. I cherish my years in government. I have loved my participation at CNN, at Current; writing; teaching. Where I will go next, I will have to sort...
