I sort of jumped out of movies and into the lifeboat of comics. I loved it right away. It was the opposite of film school. Whatever was in my imagination could end up in the finished product. There were just no limitations.
Let me be absolutely clear: I think it is defeatist to sort of say we want to leave the European Union. We're going to try and change the rules and change the way it works and change the objectives that it has in order to make it something that works...
I sort of feel that climate change will be solved by science. I just feel instinctively that we will find a way of saving ourselves. But I am less confident that we won't destroy ourselves in other ways.
I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.
Originally, I was in both software and in online computing. The first innovation really was sort of at that time that we're marrying the telephone and the computer so that people wouldn't have to drive to the computer center. We didn't have $1,000 co...
When I was four, I just wanted to drive, I collected toy cars. Where does that sort of thing come from? In hindsight you go, 'Oh, liked it because of this.' Maybe it's just the wheel.
My mom is a teacher, my dad was a writer for television, his dad was a writer for television, and combining those two has been sort of the goal of my life.
I like the way corduroys feel. I like the sort of jean aspect of corduroys, but also the texture of them. They probably remind me of my childhood, too, I think. I wore cords, and my dad had a corduroy jacket.
You see another side of Draco when he's with his dad. When Draco is with his dad, he doesn't say anything. He keeps his mouth shut. He's sort of bullied by his dad, so he acts very different.
The name Air Supply sort of came from nowhere. I get a lot of my things in dreams and I just had a dream about it one night, and I woke up and said that's just got to be the name. That was in 1975.
Dreaming in public is an important part of our job description, as science writers, but there are bad dreams as well as good dreams. We're dreamers, you see, but we're also realists, of a sort.
I had been impressed by the fact that biological systems were based on molecular machines and that we were learning to design and build these sorts of things.
I wouldn't tell you anything about anybody I cared about because it becomes entertainment for other people, and it sort of just cheapens everything in your life. I would never tell you if I was dating anybody.
I'd had a French education for three years, my father being in the army. From 9 to 12, I went to French school. I've been sort of part of the culture, part of the geography, since I was quite young - the imprint was there.
My main hope is eventually, in modern education field, introduce education about warm-heartedness, not based on religion, but based on common experience and a common sort of sense, and then scientific finding.
One of the over-riding things for many who grow up in poverty is the simple desire to escape. I think it was sort of obvious to me that escape had to be through education.
I do not inveigh against higher education, I simply maintain that the sort of education the colored people of the South stand most in need of, is elementary and industrial. They should be instructed for the work to be done.
Some liberals think that describing any role that education gaps play in creating income inequality is some sort of sellout - that, in essence, you're telling the middle class, 'Tough luck; you should have stayed in college.'
To all my nonbelieving, sort-of-believing, and used-to-be-believing friends: I feel like I should begin with a confession. I am sorry that so often the biggest obstacle to God has been Christians.
My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there's the reality: there's no Heaven, no afterlife of the sort we were promised, and no personal God.
Sometimes I wonder why God ever trusts talent in the hands of women, they usually make such an infernal mess of it. I think He must do it as a sort of ghastly joke.
