I think every good song tells a story, as ambiguous and vague as it may be. And if you know what a song is talking about, it can only help your performance.
I think that commercials can really ruin a song. You know that the person sold the song for a good deal of money, and that was the tradeoff. But, music and picture can marry in a beautiful way, and the reverse also.
They keep the song as street as it needs to be. It's got a good catchy hook where it can do what it needs to do on the radio, but they keep the song street where it will keep credibility in the hood.
It's hard enough to make a good song and a good recording of that song. But to try to tailor it to some outside force is just like - It's never been a factor in what I've done or what the band's done.
For me to create an album of 12 songs, I've got to write about 80 songs. Half of those are totally weird and rubbish. But I get to some really good stuff after a while.
I just think if the song's good, sing it. I don't care who's doing it. I don't care if it's a country act. I don't care if it's a rock act. If the song's good, sing it.
I have a folder of scraps and pieces of paper with stuff, ideas for songs from the last 25 years; just little things, maybe early songs that I finished, but didn't think they were good enough.
I don't think Flo Rida gets on just any song. If you look at the songs he has done - even The Saturdays one - was a hit. If it's not good enough, then he won't do it.
I think Bridge Over Troubled Water was a very good song. Artie sang it beautifully. The Boxer was a really nice record. But I don't think I've written any great songs.
Nobody ever thinks a song is about them. Well, not when it's mean. When it's a good song everybody thinks it's about them. And when it's mean, nobody thinks it's about them.
Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.
I wouldn't just have other people write songs and me go out and sing it. I would sit down with a guitar and write 11 or 12 good songs for an album and that is gonna take a long time.
I was just writing songs because, if a song shows up, you've gotta write it. I didn't know what to do with them. I didn't have any faith in my voice.
Queen songs are not about the life of a rock star - they tend to be about the lives of normal people, which is why I think the songs connect so much. We're very lucky that they seemingly connect with every generation.
One of my favorite songs from the album is a song called 'For Better or Worse,' and it's basically about unconditional love, which is, I'd say, an ongoing theme in my personal life.
When it came to using elements of your personal life in your work, my mother was the master, or the mistress. There were three or four songs she wrote about my father - songs about failed love.
I love love songs. But I love pop music as well: Girls Aloud, Kylie, the Spice Girls, East 17, Mika.
I love sad songs. They say so much. I love country music but even the happy songs sound really sad.
I think I deliberately sold out a couple of times. I picked the songs that I thought would do well in the marketplace, even though I didn't really love the song.
I love that song 'I Could Have Danced All Night' from 'My Fair Lady' so much. I love that song because watching it as a kid, it was such an unbridled expression of joy.
I'm the same guy at that podium preaching to the people on every single song. I'm not doing a dance for you on another song. It's all a direct assault.
