I think either you're creative or you're not. In general, I don't think you need to be in pain to actually be creative unless you're writing love songs. Then you might need to have some ups and downs within your emotions to start to capture that.
You can fill this table up with people who are racist, homophobic, Satanist worshippers, sexist and we can be arguing but if you put on a song, I guarantee that people will stop and listen and that's what I love about music, it can bring people toget...
I love TV. I know all the theme songs from the shows I watch. I'm not one of those who'd rather be a movie star. I prefer TV because of the rushed way of working-on a movie set, you sit around and wait and wait to do a scene because they're adjusting...
My granddaddy on my momma's side, he was a romantic. He loved love songs. Every Valentine's Day, I remember him buying a red carnation for my grandmomma, my momma and my sister. That was something you could count on every year.
You know, there are times when you play a song over and over and over and you get a little tired of it and you let it sit for a while. It's like, you may love eating sushi, but if you eat it every single day, you're going to get a little tired of it.
I love singing. It's who I am. When I act, I take a small part of myself and just magnify it, but when I'm singing, that's who I am. I don't write music, so I choose songs that I would have written.
Of the 25 songs we've recorded there were 24 that we wanted to have on an album. That wouldn't have worked. So when one of our wise managers suggested the idea of considering two different album, it cleared the way for us.
This song Emily by Joanna Newsom attaches my body to my soul which sails out and around me desperately trying to escape all the time. I still don't understand it's original meaning.
In France, the image I had was of a shy girl - a poor lonely girl and not too good-looking. When I went to England, I had another image. I felt the journalists were much more interested in my looks than in my songs.
The first four and a half years was me in the studio every day, writing songs for other people. I had jobs, too - eleven jobs. I worked at Kinko's, Fatburger, Subway - I was a sandwich artist - and I was a claims processor at Allstate Insurance.
The idea of having one ensemble do everything is what was on 'Sea Lion' and that's what I tried to make happen for 'Metals,' which is having five people in the room and all of us contributing equally to every arrangement and every song.
I'm quite glad I never learned to play the guitar, because I think I'd write songs that were more classically structured. As it is, I've had to create my own way of writing, which isn't typical. Everything's a big crescendo.
I don't concentrate on technical things like where a microphone is placed and things like that. As a producer, I try to keep the initial feeling from when I first heard a song and make sure we do what were initially aiming for.
I used to do karaoke with Patrick Woolf in a karaoke box, and he would ring me up and say, 'Come down and do karaoke with me here,' and then we'd sing Kate Bush songs and get really, really emotional and theatrical in the booth.
You see the genius that Whitney Houston has as an interpreter of material, and you realize why genius can be applied to only a few interpretive performers. She finds meaning and depth and soulfulness in a song that often the writer and composer never...
I was never encouraged to do it and I played the accordion, which I hated. I wish I had taken piano because I definitely would have written more songs of my own, but I didn't.
Talk about songs that make me cry: Track 7 on the 'Phineas and Ferb' soundtrack, 'Summer (Where Do We Begin?).' When you get to the part about sitting with your brother underneath the shade of a big tree in the backyard, ohmygod. Turn on the waterwor...
You know when I really realized like 'wow' what a gift this is was when I sang at camp and a girl wrote me a letter and said the song that I sung kept her from committing suicide.
NW" is full of split selves, people alienated from the very things they thought defined them. Their nostalgia -- for old movies, old songs, buses they don't ride anymore -- is less a salve than a form of pain.
Everyone who moves to New York City has a book or movie or song that epitomizes the place for them. For me, it's 'The Cricket in Times Square', written by George Selden and illustrated by Garth Williams.
Jay-Z called me onstage during my song that I produced for 'Watch the Throne?' That was surreal, man. One of those situations I'll never forget. I'll be able to show my kids the footage of when Jay-Z brought me onstage.
