I had a hip replacement a couple of years ago. I have a song about that. And why wouldn't you? It strikes me that that was a huge event. It's kind of funny and horrible and interesting, so why wouldn't one write about that?
I would like to be remembered as a - somebody who could rock your soul or make your cry with a song. And somebody who's kind, who loved to laugh, and loved his God.
Don't Cry Daddy is a pretty sad song. He got to the end of it and it was just real quiet and Elvis says, I'm gonna cut that someday for my daddy. And, by God, he did. He lived up to his word.
In real life, I am emotionally confused, which enables me to write songs. I'm a Pisces, and they say that Pisces are very sensitive. If men were just honest with themselves, they would see that they all have that side.
For a person as obsessed with music as I am, I always hear a song in the back of my head, all the time, and that usually is my own tune. I've done that all my life.
Music can bring about different vibes on the field, off the field, urban life, going to church, leaving church. Everything the world may bring, there's a song for it to put you in the right frame of mind.
I'm extremely happy, but I don't do love songs for the most part. It feels weird; that's such a personal thing to me. I'd rather live that in my real life and play a different character outside of that.
I like to write songs about what's happening, what I see around me and what I hear. Everyday life. Someone may be talking to me and I may take it from that.
Poems and songs penned as an unstoppable outpouring of the heart take on a life of their own. They transcend the limits of nationality and time as they pass from person to person, from one heart to another.
I know I get a real kick, an emotional charge, out of playing a song I haven't played for 10 years. It just takes you back to that point in your life.
'Tis easy enough to be pleasant, When life flows along like a song; But the man worth while is the one who will smile when everything goes dead wrong.
With 'Sherry,' we were looking for a sound. We wanted to make the kind of mark that, if the radio was playing one of our songs, you knew who it was immediately. But I didn't want to sing like that my whole life.
My grand plan is that I can master having a better life by making sure I have a regular flow of songs. Then I can give myself time to tour or celebrate or write a film score.
You have moments of grief in life, and if you can put pen to paper and capture that, that's something wonderful. I can revisit actual songs about past deaths, and I know that emotion is as true now as it was then.
You have this mounting aggressive ignorance with the rabbit's foot of their particular religion. You don't really have any kind of spiritual law, just a kind of a rabid mental illness. The songs are a little slice of life.
Somehow you can tell the difference when a song is written just to get on the radio and when what someone does is their whole life. That comes through in Bob Dylan, Paul Simon, Willie Nelson. There is no separating their life from their music.
In the course of my life, I've made some happy songs but it's the more sort of like pathos-laden, emotional, melancholic music that either I make or that other people make that really resonates with me.
I don't think of them as teenage songs. The things that happen to you in high school are the same things that happen your entire life. You can fall in love at 60; you can get rejected at 80.
But at this phase of my life, I want to write and not have to think about whether a song is going to be a hit. I want to explore the music that inspires me, and I don't want to ape myself.
For me, 'risky' is revealing what really happened in my life through music. Risky is writing confessional songs and telling the true story about a person with enough details so everyone knows who that person is.
For me, the most difficult thing is that I am learning melodies on guitar from some songs whose melodies were not meant to be played on guitar. Ever. They were intended mostly for keyboards or melodic percussion.
