'American Top 40' allowed me to be current without my having to force change to keep up with things. The new songs kept us up to date, so every show sounded fresh.
When you're young you don't think, 'This person is going to change your life.' But when you start recording your own songs, it comes back and reminds you.
I totally accept that it's a legitimate criticism that when you are involved in the day-to-day scrum of government... that what can get lost is the narrative, the hymn sheet... the song that inspires and lifts people's sights.
Michael came home and asked, Would you like to write a song with me? I got this idea for a title called A Kiss at the End of a Rainbow. So we had a couple glasses of wine and wrote it.
When I think about the songs I might record, I ask myself, 'Can I picture anybody I know back home sitting in their truck cranking this up?'
Social topics may hit too close to home for people, but then again, if you pull a heartstring, then that's what country music is. It's not just songs about getting drunk and leaving your girl.
I doubt I'll be singing forever, because at some point people aren't going to want to hear my music, and I hope that I'll still get the opportunity to write songs.
'Peace Train' is a song I wrote, the message of which continues to breeze thunderously through the hearts of millions. There is a powerful need for people to feel that gust of hope rise up again.
Because they're my stories, they're my version of events of the past three years. But I really hope people can hear their own stories within the songs and they can become our version of events.
My first instinct when I write songs is not a negative one. It's something positive... Everything I've ever done has some form of hope in it, I think.
The Bible is not just one book, but an entire library, with stories, songs, poetry, letters and history, as well as literature that might more obviously qualify as 'religious.'
Over the years, a lot of rappers - Lil' Wayne, Ice Cube - have used my name in their songs. I'm a real touchstone of history.
But the greatest thing about music is putting it out there for people to figure out. You want the listener to find the song on their own. If you give too much away, it takes away from the imagination.
It's not just about getting a song on the radio or appearing on television. It really is about helping people change their lives one day at a time.
When you're walking down the street or in the car just listening to the radio, and you're, like , 'Oh, that's my song.' You want to say, 'Hey Mom!' That never changes.
That's what I love. Not being interrupted, sitting in a car by myself and listening to music in the rain. There are so many great songs yet to sing.
I don't think radio is selling records like they used to. They'd hawk the song and hawk the artist and you'd get so excited, you'd stop your car and go into the nearest record store.
Of course, I'm older now. I'm in a different place in my life than when I wrote the songs for 'Car Wheels' or 'Essence' or whatever. Different things were going on.
I don't like to feel like I'm in a club when I'm in my car and I turn on the radio. Anything that ceases to be a song and just sounds like house music kind of stresses me out.
The vocal arrangements are a big part of the formula for a Bad Religion song - layered harmonies and background vocals. So when I start to describe the elements of Bad Religion's sound, it starts to sound like a Christmas choir.
Songs that aren't even remotely connected to Christmas are now officially canonized Christmas tunes. 'Frosty the Snowman,' 'Jingle Bells' and 'Winter Wonderland' never mention anything religious but are still notches in Christmas' belt of musical dom...
