I think some authors suffer from a need to try to prove that they're clever and educated. I try not to suffer from that. I would rather sacrifice my own narrative in the exercise of writing a biography. So I'm not worried about whether I'm clever.
Too many times, adults walk into situations, and people have already put them in a box: 'Oh, you write comedy.' Or, 'You're the development woman.' And it's not just our profession. It's hard to look at someone and say, 'What else is inside?'
There are three things I look for in a story - it has to be a thriller; I cannot see myself writing literary fiction or a saga! There has to be a historical connection; otherwise, the adrenalin will not flow. And I will try to bridge the gap between ...
I cried for her , But not now because my tears become so dried and my heart becomes so solid..... But still loves her with this solid heart But don't know why still eyes are wet while i am writing this quote. :(
Very often, gleams of light come in a few minutes' sleeplessness, in a second perhaps; you must fix them. To entrust them to the relaxed brain is like writing on water; there is every chance that on the morrow there will be no slightest trace left of...
When you write a manuscript, it feels like being in a relationship with someone. You'll hate it, get bored with it, be pissed of, like you just want to break up. But, just like any relationship, you will fall in love again and again, like you don't w...
But the most precious research to me came from the paperwork filed on behalf of my grandparents and great-grandfather. The ship's manifest showed that they could read and write. I am still emotional when I look at those boxes checked yes.
I always have Moleskine notebooks on my desk. I am a big journaler. Every day I write down where I went, who I spoke to and what it was all about. Richard Branson told me to do that.
I find that when people haven't found God and do not know the new birth and the Spirit is not on them, yet they have the ancient impulse to worship something. If they're not educated they kill a chicken and put a funny thing on their head and dance a...
I don't even use italics or boldface; that's clutter, not clarity. Fancy fonts are fine for blogs, just as calligraphy is fine for diaries. But when you're writing for anyone other than yourself, you want to get as universal as possible.
You think you can avoid [pain,] but you actually can't. If you do, you just get sicker, or you feel more pain. But if you can speak it, if you can write it, if you can paint it, it is very healing.
Then you start another book and suddenly the galley proofs of the last one come in and you have to wrench your attention away from what you're writing and try to remember what you were thinking when you wrote the previous one.
I write with a Uni-Ball Onyx Micropoint on nine-by-seven bound notebooks made by a Canadian company called Blueline. After I do a few drafts, I type up the poem on a Macintosh G3 and then send it out the door.
I mostly write about the working poor. Somehow, they're not being written about much anymore. I'm very interested in people who are in a situation that needs a little puzzling out. The thing that gets me started on a story is a person in a tough situ...
If there was one fact that sent me hurtling off to write 'Politics Lost,' it was when I learned that John Kerry had focus-grouped Abu Ghraib. We knew about the Justice Department memo in June of 2004, and Kerry didn't raise that in any one of his thr...
People don't get involved with local charities or politics because they think it's hard to make a difference and the problem feels overwhelming. But I believe that if all I've time for this year is to write one letter to the local council, it's still...
I'm not the 'chosen one.' I'm just one of many who have been given gifts. I can write. I can bloviate on TV. So I'm trying to use the gifts in a positive way. And I believe that's all directed. And that's why I'm here on the planet.
I don't want to walk in the middle. I want people to read what I write and feel strongly about it. If, at some point, whatever I am doing is failing to elicit a response, whether it's very positive or very negative, then I am going to stop doing it.
There's the movie you write, there's the movie you shoot and the movie you edit, and often, you find that you're getting the same information out of a scene that you already have and a scene that's actually more powerful, so you have to make the toug...
I didn't write much until I turned 40. Up until then I felt constrained by a sense of the discipline of New Testament studies and a sense of the ruling elite in theology and biblical studies.
I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your a...
