People respond to something which intrigues them instead of something that gives them all the information - particularly in pop, which is, like, the genre for knowing way too much about everyone and everything.
The thing with 'Mortal Kombat' is we really deal with that: What is the right thing to do? When somebody does something bad, do you, then, in your mind, rectify the situation by doing something bad to them?
The worst evil is - and that's the product of censorship - is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself.
Don't feel better than anybody, because you feel like something. Always have it at the back of your mind that you were nothing before you became something, and that thing you supposed to be is absolutely nothing.
...I felt it would push me out of my comfort zone and develop my skills. And that's what it's all about - do something new and learn something from it.
My father was a police officer before he retired. One of my brothers is also a police officer, and I think they kind of expected I would do something along those lines, like become a fireman or something.
Reducing carbon emissions is important, but it is shortsighted if not coupled with reducing the toxic emissions from our heart; and that is something spiritual leaders are supposed to teach and something all thinking people, regardless of their belie...
The fashion thing is something I do, and yes, it is definitely also becoming a part of myself and my personality. It also doesn't really feel like a job, either: it's a dream or a passion or something.
If you write something the White House doesn't like, they take you in and say, 'If you ever write something like you did today, nobody from the White House will ever talk to you again,'
I will do almost anything for the sake of a joke or for the sake of someone's real belief in something to help tell a story. I will not do something shocking for the sake of being nasty. If it's not hurting anyone's feelings, I'm in on the joke.
You connect yourself to the viewer by by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you.
Now the writing in the head, I definitely do every day, thinking about how I want to phrase something or how I'd like to rephrase something I've already written.
I long for some connection, to the real and those who love them, and hope that my fiction can reach beyond the veil, that I might touch someone and make them feel something…or something.
I really want to do a Western. I want to be the dude who is riding horses and doing exciting things - something where I get to do something physical and have to train for it. I don't want to be the damsel.
My mother had been blind as a child. And so, blindness was something that has long fascinated me, but also it's something I find really, really scary.
I err on the side of a kind of optimistic agnostic sense that there's something that put us all here - some energy or something that we are not in a position to understand.
I'm used to being part of 'Game of Thrones' and going into something where you're a small part of something else. You don't want to hold anything up because they've got such a well-oiled machine going.
I think I've always wanted to be different from everybody else. I get really annoyed when I do something and everybody else does it too, or if I'm doing something that everybody else is doing.
Most of my favourite moments in film have been when I've had an opportunity to say something from scratch, something original, whether I jotted down a few lines or it came out in improvisation.
When someone is trying very hard to get something, they don't. And when they're running away from something as hard as they can, it usually catches up with them.
No one over thirty-five is worth meeting who has not something to teach us, - something more than we could learn for ourselves, from a book.
