I'm definitely more at ease with comedy - that's where I started out - and so it's my first love, so to speak, and I have more of a sensibility for it and more familiar with it. Having said that, I also want to be open to everything else.
I try to enjoy a movie or a television programme just like anybody else. I'd love to be emerged into the story and watch it, but if you work a lot as an actor, in any aspect of the industry, things might arise in a programme that somebody might miss,...
I love traditional music. But in any culture around the world, there is the historic and cultural music and everything that's been passed down and passed down, and hopefully you take that, and then you take it, you know, the next distance, and then s...
I always used to look at books and wonder how anybody could come up with so many words. But my divorce and then falling in love with somebody else has released in me an ability to write in other ways apart from songs.
There tends to be this hierarchy of film and television, and theater is somewhere else in its own milieu. However, as actors, yes, we love to do theater because it's our story. Nobody can edit it, the curtain goes up, and it's ours for two hours or t...
Like most things that happen with Sabbath, it happened all of a sudden. I was intending on doing some recording, but out of the blue, Sharon called up and said she wanted us to do these gigs with Ozzy. I said that if everybody else was up to it then ...
I like being the odd one out in L.A. Because if you conform, you become something you hate. I love being the odd one out. It's not about 'Look at me! Look at me!' It's about really becoming someone else.
Since I met Starsmith, my producer, I really feel like I'm making music because we write it together and produce it together. I've got a proper involvement in the end product as opposed to just writing a song and finding someone else to produce it.
It's a really diverse time in music, with all these different DJs and all these different categories, and we are all taking footnotes from everyone else. There are no real genre boundaries anymore; you can take a trance idea and put it into a trap re...
You don't try to get influenced by everything that's going on with all the other music around you. You don't listen to the radio - I mean, I don't. When I get ready to do an album, I don't listen to anybody else; I don't wanna be influenced.
Sometimes when we have so much going on, it's easy to forsake the things that seem like personal luxuries - for example, our morning run. But it isn't a luxury at all, when it is the thing that allows us and empowers us to face everything else.
When I was 11 my friend's mom made a peanut butter sandwich. I ate the sandwich and was like, 'I'm never eating anything else again.' And I still eat peanut butter every day. I would put peanut butter on a steak.
My mom's collard greens. No one else in the world can make them like hers. I'm not just saying that because she's my mom. She's got some Mississippi secret. I could seriously eat them every day.
We all want something else other than what we have and don't realize what you got works. It works. It does work. You gotta work. Marriage is work. Marriage is a career. It's not an adventure.
I always leave that for other people to decide, because some of the things I consider to be disasters are some people's favorite movies. And that's what I like so much, is that you never know. Something intrigues somebody and means nothing to somebod...
The way a musical can make us feel is unlike anything else, in song and particularly in dance. I think people fly through plate-glass windows when they get shot because movies don't have dance scenes any more. This is what we do instead.
I like zombie movies. I like 'The Walking Dead;' I like the metaphor of it, simply because when we go with the zombie concept - if you're bitten by a zombie, you don't transform into something else like a vampire or a werewolf or whatever. You become...
Addison DeWitt: We all come into this world with our little egos equipped with individual horns. If we don't blow them, who else will?
Adèle: I miss you. I miss not touching each other. Not seeing each other, not breathing in each other. I want you. All the time. No one else.
Violet: I want what's mine; I want half the money. We get rid of Mickey, and no one else dies. No one. Say, "Yes, I understand." Ceasar: Yes, I unnerstan'.
I put myself on the same level as everyone else around me - from the directrice to the workman, everyone. Except my pets - they are the Kings; you must treat them like royalty.
