The notion of 'we' is very important. I think, for any family, any community to be able to say 'we' in this family, it means something. It's dangerous to society when somebody will place himself or herself on the outside of 'we.'
My husband is the chef of the family; he's a brilliant cook. Actually, it makes you quite lazy when you have somebody that's so good at cooking under the same roof. It's all beans or spaghetti when I'm left to run it.
I hate this idea that you have to love somebody because they are your family. Nobody can tell me what I'm supposed to feel and who I am supposed to feel it for.
After a decade this glum, we deserved a shot of 'Glee,' a show that restored our faith in the power of song, the beauty of dance, and the magic of 'spirit fingers' to chase our cares and woes into somebody else's backyard.
The distinction between a gallery and a museum is enormous. The gallery is about looking at a thing of beauty; the purpose of the activity is an aesthetic response. The museum is actually about the object that lets you get into somebody else's life.
I'd still like to see 'Survivor' minus the planned show-biz parts. That would be the purest form of show business - I want to see someone so hungry that they eat somebody else's foot.
Our workers, our American people who are already struggling, are going to continue to struggle until we can get somebody who can bring some business sense to Washington D.C., and I think that is the one thing I bring.
I made the decision when I came to Seagram that it had to be OK that my public persona would be bad. It's the downside of a family business: anything good is because I'm somebody's son; otherwise, I'm a schmuck.
I learned in business that you had to be very careful when you told somebody that's working for you to do something, because the chances were very high he'd do it. In government, you don't have to worry about that.
There's an appreciation of the whole picture of life as opposed to just ambition and circumstance and all the stuff that happens in this business. You find yourself lucky enough to be working with somebody really talented who you know and who you tru...
There are looks that I see on other people that I think would look horrible on me, but I think if somebody has the courage to be really daring and try something outlandish, then more power to them. That's just encouraging and inspiring.
You take a number of small steps which you believe are right, thinking maybe tomorrow somebody will treat this as a dangerous provocation. And then you wait. If there is no reaction, you take another step: courage is only an accumulation of small ste...
My great hope is to laugh as much as I cry; to get my work done and try to love somebody and have the courage to accept the love in return.
When Hank Jones had his night off, I would get somebody to take my place as intermission pianist and I'd play the show with Ella, so I would get a chance to play with Ray Brown and Charlie Smith as well.
What I loved about playing the corpse is that obviously somebody else got to do the physical part. It appeals to the part of me that likes playing character parts and getting the chance to get away from my own physicality.
What I have always loved about modelling is the chance to play a part. I am quite shy naturally, but I like getting into somebody else's head space, understanding how people work and the psychology behind their actions.
In Peru, if you gave somebody a little chance to do something, they took it to the furthest extent. They took nothing for granted. And here in L.A., you kind of get caught up in your own little dilemmas and your own little life.
If the story is good enough, if it's imaginative enough, if it's moving enough it is going to reach deeper than the level of sheer information and change somebody's life two degrees. That is an enormous achievement.
Remember that government doesn't earn one single dollar it spends. In order for you to get money from the government, that money must first be taken from somebody else.
I only eat meat if I go to a nice restaurant and there is an exceptional dish, or if I'm at somebody's home for a dinner, I'll eat whatever is in front of me. Otherwise, I don't eat anything that walks around and has a face.
I'm trying to eliminate every vestige of my own personality, style, approach and get into somebody else's skin. Sometimes I feel I've accomplished it. But when I don't, I'm nobody at all, having left myself at home.
