My dad shaped the footballing side of me, and Mum shaped me as a person. I've always been very close to her - we've only ever had one argument, and that was over something stupid when I was 13.
Where I grew up, people obviously knew my dad because it's a small place and he was the top player for Swinton - they'd go and watch him play, see him in the papers, so they knew he was black.
I enjoy making solo albums because over the years it's evolved into more of a genuine personal expression of story-telling and day dreams, and I work in a way that has more control.
It's one thing I like about America - they respect the sportsman. They put them up on a pedestal. They don't try to knock them down. And that's a great thing, to be respected by the whole country. It's so patriotic!
There isn't a single player I would pay to watch. You can say Thierry Henry, he's a fabulous striker, with pace and power, but a great entertainer needs to have charisma, too. Does he have charisma? No.
You know, I'm the 1st black solo MC from Detroit. I didn't do the 50 Cent sales but hey... I got a long career, I'm still young and I'm trying to bring really good music.
Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
I just had a normal African childhood; we played football a lot, but it was always in the street and always without shoes. Boots were very expensive, and when there are seven in your family, and you say you want to buy a pair, your father wants to ki...
I mean, I really, really love playing solo. Definitely, it's like a labor of love, it's not a huge career. It's not that successful, but it's something I love so much that I'll do it regardless.
I'm definitely gonna do another solo record at some point. 'Flamingo' wasn't just me dipping my toes in the water. I really loved it. It was successful, and that helps, but I love those songs, and I miss singing them.
In a certain sense, aspects of my solo playing were developed in order to test the theory about how long particular elements could be, as parts of so-called free improvisations.
When I was 13, I got my first guitar, and I could sort of play Ted Nugent songs, but I couldn't play the solos. But I could play along with entire Ramones songs.
Además no es tan malo vivir solo. Yo la paso bien, decidiendo a cada instante lo que quiero hacer, y gracias a la soledad me conozco; algo fundamental para vivir
Prog didn't really go away. Just took a catnap in the late Seventies. A new generation of fans discovered it, and a whole new array of bands and solo artists took it on into the new millennium.
You know, I always root for the older athlete. I root for the second album. I root for solo careers after the rock star breaks the band apart.
I didn't want to take the guitar solos down note-for-note, but more or less use them as a map, and keep all the hooks from the guitar playing, and let myself come through.
All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.
Woo means the ability to entice someone or something to get what you want. My first solo album was called: All the Woo of the Universe, which was titled by George Clinton.
Jam Cruise is actually a comfortable place for me. My jamming skills and my improvisational skills have improved immensely as I've gone more solo, because I've had this opportunity.
The volume of twaddle from critics is directly proportional to the distance you keep from them. There is always room to spread your wings when you fly solo.
When I recorded my solo album, 'Keep It Hid,' in 2008, I'd gotten more interested in songwriting, inspired by reading Charles Bukowski and connecting with unfancy, interesting language.
