As God commands us men to teach your wife, to teach your children - to be the spiritual leader of your family - you're acting as a priest. Now, unfortunately, unfortunately, in too many Christian homes, the role of the priest is assumed by the wife.
I've got a place in Portugal, which I like very much, but I've just been working in Malaysia for five weeks. My family had a chance to come over and we really loved it, particularly the island of Pangkor.
We knew it was going to be the biggest event scheduled in the history of women's sports, but we didn't ever fathom we would be playing before sold-out stadiums all over the country.
You can go crazy and play solos in the right place, and that's great because it can intensify and bring an emotional lift. But the thing is you don't want to get in the way of the song.
It wasn't a class system where I was the better guy and he was the second-rate guy. That was his role and my role was to play the solos. But he took great pride in his technique as a rhythm guitarist.
It's too heart-wrenching doing the solo thing. I throw myself into it and get so excited, and then 2000 people buy it and you're, like, 'Oh. I guess it's not that good after all.'
In 1994, to motivate me to complete my pilot's license, my good friend, Gregg Maryniak, gave me Charles Lindbergh's autobiography of his solo flight across the Atlantic.
I am a songwriter at heart, and I feel like I would, in the future, write songs for other people. I don't think I want to pursue it for myself, for a solo career.
Legal dialogue is awesome, but you can't ad lib. It's much more fun to be looser and say things like, 'Can I work in a Han Solo reference?' I'm a 'Star Wars' freak.
I love classical music; I love the way it's worked... all those chord sequences so I often use that sort of effect in my solos.
There's individual turntable setups devoted to piano, bass, drums and a set for soloing as well. We like to try and explore the gamut of what a turntable can do.
I do some solo, acoustic stuff, but I also like plugging in my electric guitar and playing loud with a band.
My goal has been to encourage jointness, to push people to think of affiliations rather than to operate as solo entrepreneurs.
As you know, I was a solo singer, something I just got very much used to. Turns out I'm quite enjoying being in a band!
He was very much concerned with logic and function, he always worked his solos out before playing them.
In the absence of that, I am happy to play solo, but I don't think there is any comparison.
I remember thinking that the rest of my life would be solo. I wasn't weepy when I thought that - it was just a realization that I had gone this long being self-sufficient.
The only time it dominates is during a solo, or when we play a low blues and I put figures in behind Eric's vocals. There's never any real problem fitting guitar and organ together.
There are right and wrong reasons for doing solo projects, and this album was done for the right reasons. At the time there was no Judas Priest and I certainly wasn't going to hang my hat up on my musical career.
All the time I was playing the flute, the lines, the solos, the riffs, the construction, were based on my guitar skills. I did not play the flute to exploit its natural faculties, but I used it as a surrogate guitar.
With Zeppelin, I tried to play something different every night in my solos. I'd play for 20 minutes but the longest ever was 30 minutes. It's a long time, but whenI was playing it seemed to fly by.
