I love natural beauty, and I think it's your best look, but I think makeup as an artist is so transformative.
For I must tell you that we artists cannot tread the path of Beauty without Eros keeping company with us and appointing himself as our guide.
I never learned management. I never went to business school. I'm an artist. I happened to have really clear ideas of what I thought my business should be.
I want to invest and have my own record label and artists. I want to have a business where my kids, kids, kids will still have something going on long after I'm gone.
I've learned, like with anything else, business is only as good as your connections and your resources. And some of the resources that I have are the fact that I work with huge artists.
If you're an artist, it's great to have a knowledge of the business and be educated about that, but you've got to keep the balance right between business and artistry; otherwise, you get cynical.
So I'm in that half-hour business where the most money is, so that eventually I feel like the people that put on the Dupont show, like maybe my artistic effort is going to be a little different.
My parents divorced. There was the usual awkward business of going between them, but I was mostly with my mother. She remarried to a Greek painter Nico Ghika, so we were always around artists and intellectuals.
My business partner and make-up artist Kim Jacob and I have employed every member of staff, decided where every desk in the office should go, tried every product on our faces.
Nowadays, with the state of the music business, for any artist, whether you're up-and-coming or you've been in it for awhile, you have to explore different revenues and different ways of expressing yourself.
Someone told me there was a publisher that could find a good home for my songs, but I didn't want to give up my pursuit of a career in the business as an artist.
Business is fun. Controlling your own destiny is fun. Creating an idea and turning it into a movie; finding an artist and guiding their career and bringing them to some type of status - there's joy in that.
Every artist undresses his subject, whether human or still life. It is his business to find essences in surfaces, and what more attractive and challenging surface than the skin around a soul?
My father started his own business, and before that was a freelance lecturer, and my friends are artists and musicians; they don't have real jobs - none of us have real jobs.
My experiences have been, from the very beginning, cultural and creative. And my business has been a way of exposing the culture, exposing the artists so that the world could hear and see them.
I'm constantly doing new stuff, and I want it to be received really well. Who knows what's ego, what's business, what's artistic. It all shifts on a day-to-day basis.
Month after month, Wizard Academy equips people who want to make a difference. This is why journalists and scientists and artists and educators and business owners and advertising professionals and ministers are attracted to our little school.
Sarah Vaughan is one of my greatest heroes. She personifies what an artist is all about, taking risks, daring to go beyond the boundaries of safety and convention. It takes courage to share your vulnerability.
It's not a random chance that we have Alanis Morissette. She didn't evolve out of a null and void. She came from a former template. She borrowed styles and sounds from a very limited set of other artists.
If you don't know the right people or have the right connections, you may never be discovered. With 'Opening Act,' we are democratizing a notoriously impossible process, pulling back the curtains on a consistently fascinating industry, and affording ...
If you are living a life that feels right to you, if you're willing to take creative chances or a creative path that feels like it's mostly in keeping with your sensibilities, you know, aesthetic and artistic, then that's what matters.
