As an artist, I think you always have to take care of yourself as a person probably even more than the average person because your body is so important to your art.
The public needs art - and it is the responsibility of a 'self-proclaimed artist' to realize that the public needs art, and not to make bourgeois art for a few and ignore the masses.
We are all born artists. If you have kids, you know what I mean. Almost everything kids do is art. They draw with crayons on the wall.
An artist must be free to choose what he does, certainly, but he must also never be afraid to do what he might choose.
Music is art, art is life, and we are who we are, and all of these aforementioned women, unless they should choose not to, will be performing well into the next many decades because they are great artists.
As long as artists arbitrarily assume the right to decide what is or is not art, it is logical that the public will just as arbitrarily feel that they have the right to reject it.
In our life there is a single color, as on an artist's palette, which provides the meaning of life and art. It is the color of love.
Not all artists have a responsibility to be socially or politically aware, but they do have a responsibility to make great art. They have to find some truth and put that in their music.
My sister is an artist and an interior designer. She went to high school for art. I went to high school for music.
I was always making things. Even though art was what I did every day, it didn't even occur to me that I would be an artist.
I think it's the pain and suffering that drive you to become an artist. The art itself should be the pain, sort of exorcising every demon and making you feel like you're a person that matters.
I wanted Kimi to be a Japanese record with a Japanese title. I wanted it to be for them. They appreciate things on a different level, and take their art very seriously - that's special if you're an artist.
As an artist, you want to make good stories and create good art; as a businessman, you want to make money and make sure the investors are happy. The two will always clash, unfortunately.
The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern of the artist and the bafflement of the public.
I was born in a world of opera, theatre, films, poetry, art, and therefore, out of the wire, I made a stage. That's why they call me a high wire artist.
Criticism really used to hurt me. Most of these critics are usually frustrated artists, and they criticise other people's art because they can't do it themselves. It's a really disgusting job. They must feel horrible inside.
Don't make art for other artists or for 'intellectuals', make art for people - and if you can touch just one person in a lifetime and make a difference - you have succeeded.
The whole thrust of modern art, as far as I understand it, is expanding the role of the artist as a kind of esthetician, someone who actually spends his time, is trained in a way to deal with qualities.
Israel is a wonderful place to be an artist - a place where imagination flourishes. Israeli culture is refreshingly avant garde - making films, music, performance art and visual art that continues to push the envelope, inspire and empower.
Calls for the simplification of abstract or allusive art have always come from governments suspicious of artists themselves. This is why totalitarian regimes have always legislated some form of realism.
Seriously, I wanted to be an artist because I saw that it meant endless possibilities. I came from a badly managed family background, so art was a way of reinventing myself.
