While the digital age has done so much to improve our world, it has dramatically changed our social structure, often further isolating us from each other.
That means that every human being - without distinction of sex, age, race, skin color, language, religion, political view, or national or social origin - possesses an inalienable and untouchable dignity.
Right now, too many women who reach retirement age find themselves widowed or single, relying on their Social Security check for over half of their income.
We don't need to update the paper through the night, so we don't need so many people working anti-social hours producing a newspaper for real-time news. That's the equivalent of the steam age.
A poem may be an instance of morality, of social conditions, of psychological history; it may instance all its qualities, but never one of them alone, nor any two or three; never less than all.
But if we leave them alone, just satisfying ourselves with social work, economic work and the building up of a national army, it can make progress, hopefully within a short time.
For people of color - especially African Americans - the idea that racist cops might frame members of their community is no abstract notion, let alone an exercise in irrational conspiracy theorizing. Rather, it speaks to a social reality about which ...
Boys with a 'failure to launch' are invisible to most girls. With poor social skills, the boys feel anger at their fear of being rejected and self-loathing at their inability to compete.
There's no architect who doesn't want to build a library - and I am no different. With so much scrutiny now attached to reading - because of technology and how we approach it as a social activity - that is a very exciting area in architecture.
If a dictator takes up my ideas, the resulting town will survive the political system that commissioned it and stand as a social good. Besides, modernism rather than classicism has dominated the architecture of totalitarian regimes of both the left a...
Once you learn to look at architecture not merely as an art more or less well or more or less badly done, but as a social manifestation, the critical eye becomes clairvoyant.
As architects we are often involved in the concrete-steel-and-glass aspect of it, but cities are social structures, and to be involved in imagining the future of cities and the type of relationships and the types of places that we're making is someth...
I believe that artistic activities change people. You do effect change. I see architecture as a political, social and cultural act - that is its primary role.
In a decaying society, art, if it is truthful, must also reflect decay. And unless it wants to break faith with its social function, art must show the world as changeable. And help to change it.
Whereas painting is a more rarefied art form, with a limited audience, I recognized film as this extraordinary social tool that could reach tremendous numbers of people.
I am not a therapist. I am not a spiritual leader. These elements are in the art: it is therapeutic, spiritual, social and political - everything. It has many layers. But art has to have many layers. If it doesn't, then forget it.
If the culture shifts, if people think differently about women, the art will shift, too. You can't ask art to make social change. It's not what it's for.
It's too simplistic to advance the notion of the autonomy of art as a reason for turning away from the public. You can have autonomy and simultaneously have connections with the social and political world.
Friendship knows no color, nationality, race and social level, friendship knows no age and gender, friendship knows no distance.
But theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That's why I call it the most social of the various art forms.
Communications tools don't get socially interesting until they get technologically boring.
