The typical journalist's typical lead for the typical Canadian story nowadays is along this line: that Canadians are hard at work trying to gain a reputation as a nation of rapid social change.
It can literally change someone's life; it's very positive for young teenagers to get into cosplay if they do it with their friends or with supervision from their parents - it can really foster their social skills.
One of the things I find extremely challenging about the continent of Africa is that when the immediate needs and the social needs of people are not met, that kills dreams, and it's all about survival.
Like the phoenix, socialism is reborn from every pile of ashes left day in, day out, by burnt-out human dreams and charred hopes.
Poverty is multidimensional. It extends beyond money incomes to education, health care, political participation and advancement of one's own culture and social organisation.
In the state of Wisconsin it's mandated that teachers in the social sciences and hard sciences have to start giving environmental education by the first grade, through high school.
There has been a banking crisis, a financial crisis, an economic crisis, a social crisis, a geostrategic crisis and an environmental crisis. That's considerable in a country that's used to being protected.
You have to stand guard over the development and maintenance of Islamic democracy, Islamic social justice and the equality of manhood in your own native soil.
'Social engineering,' the fancy term for tricking you into giving away your digital secrets, is at least as great a threat as spooky technology.
It's great to be in a film that's able to have people really want to become socially conscious, to walk out of the theatre and want to do something.
Anarchism is the great liberator of man from the phantoms that have held him captive; it is the arbiter and pacifier of the two forces for individual and social harmony.
A great social success is a pretty girl who plays her cards as carefully as if she were plain.
Punk rock seemed to make sense. I was listening to The Clash and I really loved their social messages and they have a great history of fighting racism.
After Lyndon Johnson's Great Society, the belief in decent housing as a political right or social obligation was supplanted in the U.S. by the notion that suitable shelter should be an act of charity.
The great sin was adopting the 21st Century's Socialism, something that not even its founder, Ditrich knows exactly what it is, though he says it is under construction.
The great myth that many social scientists want to encourage is that there is an incompatibility between modern technology and traditional religion. This is absolute nonsense. If anything, it's the reverse.
I wanted to do a movie about being really good at something, yet being socially awkward and not as advanced in your personal life as you are in your creative life.
What are the American ideals? They are the development of the individual for his own and the common good; the development of the individual through liberty; and the attainment of the common good through democracy and social justice.
Hollywood is right. A good and strong movie can have a more powerful social impact than any and all political speeches or newspaper editorials and columns.
Do goofy stories make people nice? What if, in their goofiness, these stories somehow inspire that in the right way. Is that a social good?
I don't know if 'Crash' is a good movie or not because I didn't set out to make a movie. Really, what I wanted to do is more of a social experiment.